Brett Osborn Figurative Paintings

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

Oil Painting of the Brooklyn Bridge, painted en plein air. A sailboat sails underneath. Painted in a thick, impressionist style. Painting dimensions: 4 x 11 inches Framed dimensions: 9 x 16 inches Framed in a handmade, Italian, custom gold leaf frame. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. White is still actively involved with studies at The Florence Academy of Art in Florence, Italy. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore, a beach in Italy, a pond on Shelter Island or the hills of Vermont, he allows the observer to view a soft, yet dramatic side of nature. His ability to use color, coupled with rich brush work and a graduation of light, air and atmosphere allows one to enjoy a certain mood which is clearly conveyed in White's paintings. It is a mood that leaves us with a lasting impression. White has shown his work in numerous galleries across the globe since the 1950s, from the United States all the way to Italy and Russia. White's first museum restrospective was in the New Britain Museum of American Art in July 2012. His work can be found in many private and public collections, as well as several museums. Art Education 1999- present The Florence Academy of Art, Florence, Italy 1956-1987 Student of Ms. Nerina Simi, Florence Italy 1955-1980 Apprentice to Pietro Annigoni, Florence, Italy abd studied watercolor painting with Ogden Pleissner...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; ...

Looking Out by Vadim Zang is an oil painting that is 18" x 14"". This is painted in the style of Impressionism. Vadim Zanginian was born in Armenia in 1965. He is a graduate from A...

Old House at Capistrano, Laguna Beach Figurative Landscape by California Pioneer Artist Daisy A. Newell Kearns Substantial and historic mid-1930's period...

Jennifer McChristian's "Looking For Respite" (2008) is an original, handmade oil painting that depicts a busy sidewalk with people walking and bus...

"Cascais, Portugal" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the Pacific Ocean from a rocky Portuguese coast on a stormy e...

Gray Umbrella is an example of the bright colors that Beckner uses in his paintings. The Gray Umbrella series was painted in Dana Point California Jim Beckner just finished a series of beach paintings. All of them can be seen below and available. Framing will be complete be December or cam be shipped without a frame. Denver-based artist Jim Beckner paints like a jazz musician. The blues bop, the oranges swing, and the yellows vibrate. Drawn to the beat of the city, the artist creates expressionistic urban landscapes that show his unabashed love of color. More than anything, his paintings dance with their own energy, and an urban rhythm emanates from his canvases. Beckner was born and raised in Lakewood, CO, a suburb of Denver. Art played an integral role in the family. “My dad was—and still is—a watercolor artist,” he explains. “He does a lot of Colorado landscapes, very detailed, specific, realistic artwork.” Beckner remembers drawing and coloring at every opportunity when he was a child. “Both of my parents recognized that it was something I enjoyed,” he recalls. “I often drew to entertain those around me.” Occasionally, the Beckner family would drive into downtown Denver to eat out at a restaurant. “I always thought the city was an exciting place,” notes the artist. “It had a certain edginess about it.” Those early excursions, and the urban sensibility they fostered in the impressionable youth, would have a profound effect on his burgeoning talent. Encouraged by his parents, Beckner took art classes in junior high school. “I began to realize that I had some skill at drawing,” he says, “that I could see something and then re-create it.” In high school his art teacher was artist Ray Knaub...

Oil painting of bare, shady woods in California. Sunlight hitting the trees and dappling shade onto the ground is what interests the artist. Joseph Altwer is a traditional realist ...