Bruce Barnbaum Art

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2021 Silver gelatin print, later print Sheet 34 x 26.5 cm (13 3/8 x 10 3/8 in.) not p...

'La Fenice' by Erich Auerbach A general view of the boxes at La Fenice, the Venice Opera House, 1st January 1954. A beautiful silver gelatin fibre pr...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark Citret, Published Custom & Limited Editions, San Francisco, 1999. Plate #23. Dimensions: Image area measures 8.25"h x 6.25"w., Frame measures 17.5 x 14.5 Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. He has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops.He was included in the Weston Gallery exhibition NIGHT VISION: PHOTOGRAPHING IN THE DARK works by: Berenice Abbott, Wynn Bullock, Mark Citret, Harold Davis, Robert Frank, Ernst Haas, Chip Hooper, Rolfe Horn, Dale Johnson, Robb Johnson, Michael Kenna, André Kertész, Bob Kolbrener, Paul Kozal, Sally Mann and Jerry Uelsmann and PATTERNS IN ARCHITECTURE works by Ansel Adams, Brett Weston, Edward Weston, Oliver Gagliani, Pirkle Jones...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

His famous series that mimicked the abstract expressionist painters movement - but in photography. A great image and a striking work for any sophisticated or rustic environment. Ima...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987 Silver gelatin print Sheet 25.4 x 30.5 cm (12 x 12 in.) Frame 44 x 50.5 x 3 cm (17 3/...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2020 Silver gelatin print, later print Sheet 50.8 x 60 cm (20 x 23 5/8 in.) not part ...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) Print only ...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987(2021 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) not par...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2020 Silver gelatin print, later print Sheet 50.8 x 60 cm (20 x 23 5/8 in.) not part ...

Agave by Justin Creedy Smith 2005 Agaves in Tangiers, Morocco. Photo, July 2005. Exquisite large oversize 20 x 20 inches / 51 x 51 cm silver gelatin print signed and numbered by the artist. 1/50 biography Justin Creedy Smith is a British photographer. Having graduated with a bachelor of arts degree – including a thesis on the role of war photography as a propaganda tool – he moved to Paris in 1984. Initially working as a studio assistant, his apprenticeship in fashion and advertising photography was both intense and diverse. He rapidly started assisting on a free-lance basis the likes of Horst P. Horst and Steven Meisel. From 1985 until 1987 he was assistant to Peter Lindbergh. In 1987 he travelled to Japan for the first time, a voyage that had a profound impact on him. Returning to Europe in 1988 he started working for Japanese magazines...