Burt Brent Art

In this work, the author turned to classical mythology and created the image of the goddess Venus. Goddesses of youth, beauty and love. He created the classical female torso on a marble basement. Кeferring to the classical works of antiquity, the sculptor created his own version of the Venus statue...

Aharon Bezalel (Afghani-Israeli, 1925-2012) Family Grouping Hand signed in with initials in English Figures fit together like puzzle pieces in solid cast bronze with original patina. Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...

Jan Jozef Jaquet (1822 Antwerp - 1898 Brussels), Psyche, 1847. Black-brown and brown patinated bronze on a cast base. 30 cm (height) x 22 cm (width) x 12 cm (depth), weight 5 kg. Ver...

“Summer Transits” by David Kimball Anderson, 2017. Bronze, steel, and paint, 22½ x 14 x 6 inches. This sculpture features a square vase in a bright red patina. The flowers are painte...

Guitar or Mandolin playing musician. Music themed bronze sculpture Signed and numbered Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigra...

Mans Best Friend C.M. Junghans 1985 This is done in a German Expressionist style. It is bronze over some sort of fill. It depicts a man gentleman and his dog. a Cocker Spaniel or Co...

Antique Bronze Dog Sculpture Chihuahua "La Petite Belle Lydie" Charles Valton (French, 1851-1918) Circa 15 1/2 x 10 1/4 x 7 Lydie is a Chihuahua making her a very rare image from ...

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

Agnes Yarnall LePage, began studying sculpture at the age of 6 at the Liberty Tadd School of Modeling. She went on to study with Charles Grafly at the Pennsylvania Academy of the Fine Arts before opening her own studio in the late 1920s, with the support of her parents, Anna B. Coxe and Charlton Yarnall. Over the years, Ms. Yarnall's work included numerous portraits, human figures and animal sculptures. Among her proudest achievements were busts of George Washington and General Lafayette, displayed at the Valley Forge Historical Society, and of Abraham Lincoln, at the Union League of Philadelphia. She also counted among her premier accomplishments busts she sculpted of Ronald Reagan, Jack Nicklaus and Pope John Paul II. One reviewer who had seen her depictions of Edna St. Vincent Millay, Dame Judith Anderson, Carl Sandburg and Sir John Gielgud lauded her work for its ''sensitivity, grace and dynamism," her family said. During her early career Ms. Yarnall studied and worked with such great artists as Boris Blai, Paul Manship and Alexander Archipenko. In addition to her long career in sculpture, she also was an accomplished poet. Her books included Indian Summer, Hesperides and Other Poems and Pandora and Other Poems. In 1987 Ms. Yarnall was presented with the Living Legacy Award as ''Evocatrix Extraordinary" by the Women's International Center, joining such honorees as Dame Judith Anderson, Clare Boothe...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

Artist: After Pierre Jules Mene (French, 1810-1879) Title: Cheval Libre (Free Horse) Year: 1868 Medium: Cast bronze sculpture with dark brown patina Edition: Unknown Size: Inclu...

Antique Bronze Portrait of a Draft Horse Isidore Jules Bonheur (France, 1827-1901) Circa 1840s Cast bronze mounted on a rectangular plinth atop a marble s...