Carlo di Monte Sculptures

Uniquely shaped sculpture. Hand-carved alabaster sculpture. On display in our NY Showroom

Sculpture of 2 girls in alabaster, in mint condition

Abu Dhabi sculpture by Carlo Massoud Handmade Dimensions: D 22 x H 15 cm Materials: carrara marble Carlo Massoud’s work stems from his relentless questioning of social, polit...

Symbol of strength and vitality, the bull is a renowned symbol in ancient Roman art. Bold and majestic with a captivating gaze, it is deftly handmade...

Alabaster Sculpture of a Dancer, early 20th century, top and skirt with beaded trim and remnants of black paint, on base with floral tile floor design, apparently unsigned. 26" H x 1...

A circa 1920 Italian carved alabaster Venus. Measurements: Height: 20" Diameter: 6"

Of Egyptian/Lebanese roots, Omar Chakil developed the series, Volutes, made of unvarnished, untreated, raw Egyptian alabaster which he calls Pharaonic alab...

Capo Di Monte Porcelain Figure of Napoleon on Horseback manufactures markings, after the painting now in the Louvre after Jacques Louis David. Height 19 in., Width 12 in., Depth 6 i...

Abstract Pink Alabaster Sculpture by Karen Chera, signed and dated '88. on its original metal base.

This vintage hand carved late 19th century Italian alabaster sculpture is signed E. Fiaschi. This exquisitely rendered depiction of a fashionable lady is presented wearing a tight se...

Paris sculpture by Carlo Massoud Handmade Dimensions: D 7.8 x W 28.4 x H 12 cm Materials: Carrara Marble Carlo Massoud’s work stems from his relentless questioning of social,...

Alabaster sculpture designed and produced by Mario Urbani in 1930, Volterra. Single piece. Biography Urbani, Mario, architect, painter, artist, (Rome 1885 - Pesaro 1961), SIUSA Mario Urbani studied at the School of Fine Arts in Rome and attended the Architecture Course, graduating in 1909. He worked for three years as a technical draughtsman in the State Railways, then attended the Higher School of Painting of Aristide Sartorio, with whom he made, in 1910-11, some frescoes in the Parliament Hall that celebrated the history of Italy, whose sketches were exhibited at the Venice Biennale in 1909. In the same years he worked alongside some Roman architects: Bazzani, Calderini, Garroni, Pazzi, Pio Piacentini, Pistrucci and Quaroni, contributing to the design of the pavilions for the Universal Exposition in Rome, in 1911, on the occasion of the Fiftieth Anniversary of Rome. In that year, after winning a national competition, he furnished the courthouse of Rome and also executed some frescoes, still extant, at the Viminale and the Ministry of Agriculture, Industry and Commerce inspired by De Carolis, artist present in Rome at the end of the nineteenth century, beginning of the twentieth century. Soon after Urbani began his career as a teacher in Sant'Angelo in Vado, at the Zuccari School of Art. In this town he made late decorations - liberty in a mill, a monument to the fallen, a large copper plate...