Carlo Maratta Furniture

Madonna and Child late 1600s, oil painting on canvas from northern Italy, in good condition, within walnut frame, from a private collection in Milan. The work depicts the Virgin hol...

Remarkable Spanish colonial late 18th/early 19th-century Cuzco school painting of Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting with a desirable aged patina ...

A splendid 17th century Flemish painting. Oil on canvas artwork depicting a mythological subject of great charm, Meleager offers the boar's head to Atalanta. The Fates had predicted ...

This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...

Circle of Nicolaes Berchem (1620, Haarlem - 1683, Amsterdam) Architectural capriccio with herds Oil on canvas, 57.5 x 74 cm With frame 76 x 93 cm The examined canvas is...

Oil On Copper, 17th Century ELEGANT OIL ON COPPER REPRESENTING THE VIRGIN MARY SPANISH SCHOOL OF THE 17TH CENTURY VERY WELL PRESERVED CONDITION GILT WOOD FR...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Striking original oil on canvas painting of Madonna and child with the infant Saint John the Baptist. Unsigned. After the original by Guercino (Giovanni Francesco Barbieri) dated ca....

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

Saint Stephen. Oil on canvas. 17th century, following Aegidius Sadeler's engraving (inspired by Jacopo Palma). The figure of the Saint appears in the ...

17th century, Tuscan school Madonna and Child Oil on canvas, 31 x 21 cm With frame, cm 37,5 x 27,5 The pearly incarnations and the thoughtful play of looks between the Virgin, turned to the Son, and Questi, warmly open to the viewer, pour out the present painting with compositional perfection. Virginal fabrics become mottled at the folds, wrapping the Madonna in a thin vitreous mantle. The pastel colors, shining on the pink robe just tightened at the waist by a gold cord, enliven the faces of the divine couple in correspondence of the cheeks, lit by an orange warmth. Even the left hand of the Virgin, composed in perfect classical pose (Botticelli, Madonna with Child, 1467, Musée du Petit Palais, Avignon), is sprinkled with warmth thanks to the immediate touch with Christ. From the nimbus of the Mother a delicate luminous disk is effused, which takes back, in the most distant rays, the colour of the hair of the Son, from the tones of the sun. The Child Jesus is represented intent in a tender gesture of invitation with the right hand, while with the other he offers a universal blessing: with his hand he retracts the index and annular palms, extending the remaining three fingers, symbol of Father, Son and Holy Spirit. The painting welcomes and re-elaborates that typically Tuscan formalism that boasted in the rest of Italy the constant appreciation by the most up-to-date artists and collectors. Arrangement, composition and mixing of colors place the canvas in the middle between the changing mannerist and the sculptural figures of Michelangelo, essential yardstick of comparison in terms of anatomical and expressionistic rendering. In the present, silvery and pinkish powders act as three-dimensional inducers to the Child’s mentioned musculature and to the vivid folds of the clothes, expertly deposited on the lunar whiteness of the skins. While these colours recall the equally brilliantly transparent colours of Pier Francesco Foschi...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...