Carlton Ware Ltd Jars

French Art Deco Glass Vase by Daum (Nancy), France, 1930s. This striking French Art Deco glass vase by Daum, created in Nancy, France, during the 1930s, features thick, blown and bu...

A stunning Art Deco period faience bowl, made in France by the Emaux de Longwy art pottery workshop and dating circa 1920-30s. This earthenware bowl is hand-decorated with Chinoiseri...

Rare set of four "Vice Jars" all signed, Raymor. Opium, Morphine, Cocaine and Marijuana. Rarely seen and virtually never seen in this condition. No chips, cra...

French Art Deco ceramic vase, France, 1931. Ceramic vase made especially for the 1931 International Colonial Exhibition in Paris. The first time we see it. Height: 9.4"(23.8cm), Diam...

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

A ceramic (earth ware) lidded jar with glazed surface by American studio potter Karen Karnes (1925-2016). The mark on the jar indicates that the piece was m...

This art pottery vase was done by the Moorcroft Pottery company of England in circa 1920 with a pastel green ground with a rare tulip pattern and a light lustre over glaze. This vase...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

This antique biscuit barrel or covered jar was made by the well known English silversmith James Deakin & Sons in approximately 1920 and done in...

Interesting organic modern handmade stoneware studio pot, from the 1960s-1980s Studio Pottery movement. Well executed and signed ( illegible BR ? ...

Pair antique hand turned Awaji Pottery ginger jars in fantastic turquoise monochrome glaze, circa 1920's. 10" high, 8" diameter. Impressed marks. Excellent condition.

A set of three provincial glazed ginger pottery pots of varying sizes and with different motifs. Sold as a set. Tallest 16cm smallest height 13cm.