Carnevale Studio Stools

Stool from France made with a solid gilt brass structure. The structure has beautiful ridged curule leg design with stretcher. The seat has been upholstered in a black leather. This ...

Made from rolled aluminum — in a non-directional satin finish — and sheepskin, the Magna chair, designed by Charles Constantine, takes its inspiration from...

A side/filler chair made in solid ashwood by bending wood. Three of the legs have been made using the wood-turning technique to adopt an abstract natural wave-like design. It has bee...

A simple, versatile stool, designed to function as both accent and traditional seating. Its simple silhouette belies intricate construction, with 10 through-tenon joints used in the ...

Take a wooden frame, cover it in aluminium and then work its surface, ""scrunch” it by hand to achieve a crimpled profile. This is the process at the core of the Tab.u Collection, stools and tables with absolutely distinctive lines. The low Tab.u stool, the firstborn in the family, is a really versatile object. It is perfect in any environment and for all uses: around the table for an unexpected guest, in the bathroom to rest objects or towels, in the living room when there is no more room on the sofa or in the bedroom instead of the usual bedside table. Its elder brother, Big Tab.u is a traditional tall bar stool. It is stunning around a counter or a kitchen island, both at home or in the most glamorous clubs. The family is complete with the addition of the Tab.u Mirror and the Tab.u Lamp...

Kartell also offers a stool version of the Masters chair, winner of the Good Design Award 2010 and the Red Dot Award 2013, and a worldwide best seller. The legs are lengthened and the seat is shrunk, but the frame's unmistakable graphic look, created by the weave of the silhouettes of three iconic chairs, remains the same. Masters Stool...

Kartell also offers a stool version of the Masters chair, winner of the Good Design Award 2010 and the Red Dot Award 2013, and a worldwide best seller. The legs are lengthened and the seat is shrunk, but the frame's unmistakable graphic look, created by the weave of the silhouettes of three iconic chairs, remains the same. Masters Stool...

Take a wooden frame, cover it in aluminium and then work its surface, ""scrunch” it by hand to achieve a crimpled profile. This is the process at the core of the Tab.u collection, stools and tables with absolutely distinctive lines. The Tab.u large stool is a traditional tall bar stool. It is perfect in any environment and for all uses: around the table for an unexpected guest, in the bathroom to rest objects or towels, in the living room when there is no more room on the sofa or in the bedroom instead of the usual bedside table. It is stunning around a counter or a kitchen island, both at home or in the most glamorous clubs. The family is complete with the addition of the Tab.u mirror and the Tab.u lamp...

Very rare and collectible Eames & Saarinen "Organic Chair", winner of Organic Design competition at MoMa. First manufacture from the early 1950s, laminated and moulded wooden seat shell, foam upholstery which was covered with textile fabric designed by Marli Ehrman. A special patented joint holds the wood legs firmly to the shell. Originals of the organic from the 1950s are collector's items and exhibited in museums. They are also traded on art auctions, where one was sold in 1999 for $ 120.000 in bed condition. (take a look at the picture) Designed for the “Organic Design” competition by Museum of Modern Art in New York on 1 October 1940. The competition was initiated by Elliot Noyes, the first curator of this newly installed department. The goal was to motivate architects and companies to develop and market modern furniture for a modern lifestyle. Their participation in the MoMa competition was the first collaboration between Eero Saarinen and Charles Eames, and they won first prize. Besides the chair, their submission comprised a high-back chair, an armchair, a sofa, and office furniture, which they presented in the form of several drawings. No true-to-scale prototypes were produced for the competition. Production of the “Organic Chair” only started in 1950 and was terminated after a short while. The original design had envisaged aluminium legs. This idea was discarded because the material was scarce during the war, and wood was used instead. New technologies were also involved in the production of the seat shell, which was composed of strips of veneer and was to ensure utmost stability and comfort while using as little material as possible and being extremely lightweight. Later on, Eames based...

For the Carob Stool, we designed around what we like in a stool - a wide, cushioned, comfortable seat, a practical footrest, and an easily moveable form fr...

Not sure if it is a stool, with tubes. Sit on it and sure enough it is, stool with tubes.   

Pair of Japanese Asian solid brass pierced round garden stools. Slight variance in size: stool #1 - 13" widest x 16.5" tall stool #2 - 12" widest x ...