Carole Seborovski Art

Il pipistrello (The Bat) is a wonderful color etching on paper, realized by the Italian artist Placido Scandurra in 1976. A wonderful mix between figurative and Abstract art, signe...

The artist hand signed, numbered and dated this etching on its lower right margin. This is an edition of 100 prints. Good conditions. Giò Pomodoro (1930-2002) was an Italian sculpt...

Image dimensions: 27 x 34 cm. A Surrealist Composition is an original artwork realized by Henry Goetz in the 1970s. Colored etching on paper. The print i...

Billiard is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right margin....

Moto Cross is a beautiful original print realized by an unknown artist of the late 20th Century. Hand-signed on the lower right, illegible, artist's proof, titled on the lower cente...

Understand is an original etching realized by Ennio Pouchard (1976). The artwork is in good conditions, numbered and part of an edition of 15. Below the painting some artist's note...

Image dimensions: 23.7 x 17.7 cm Untitled composition is an amazing original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is really beautiful artwork, on halfway between Surrealism and the Informal, two types of research practiced by the artist, obtaining excellent and charming results. in excellent conditions. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Hand signed. Edition of 100 prints. Etching and aquatint. Image Dimensions : 45 x 35 cm Reference: R. M. Mason, Jean Fautrier, Les Estampes, nouvel essai de catalogue raisonné, Gene...

Untitled Plate 5 from the Paroles Peintes Suite is an etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in pencil. Edition of...

Hand signed and numbered. Edition of 15 prints. Good condition but diffused foxing.

Homage to Klee is an original etching realized by Sergio Barletta, in 1960. The state of preservation is very good. Hand-signed on the lower right corner. Including a passepartout cardboard cm 49 x 34. Image dimensions: 16x12 cm. This original artwork is one of few examples. Sergio Barletta (Bologna, 1934) is an Italian cartoonist and illustrator. Very young he made his debut for the Saturday insert of the Gazzetta del Popolo, and in the same years he collaborated with several magazines as an illustrator. In 1968 he created Mr. Manager's comic strip for Rinascita, but following the magazine's refusal to publish it because he was too politicized, the strip landed in the magazines Ca Balà and Eureka, to which it also contributed self-contained tables. Later he worked as a satirist with Italian and European magazines. For his irreverent and merciless style he was compared to Jules Feiffer.

Untitled Plate 3 from Paroles Peintes Suite is a limited edition print. Etching with aquatint on Japon paper. Hand-signed in pencil on the lower right; numbered on the lower left in ...