Charles Amedee de Noe (CHAM) Art

"Jim Got Down on His Knees" is a lithograph on paper by Norman Rockwell from his 1972 Huckleberry Finn suite, printed by Atelier Mourlot, Paris. The image size is 18 x 14 inches and ...

"Orange Row", Abstract Geometric Minimalist Composition w Ovals, Limited Edition Delicate and perfect ovals in orange, yellow, red, and blue are purposefully arranged on lined paper...

Marc Chagall (1887-1985) The Bible, Daniel the Prophet Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) Second illustration on back, see photo no...

Fernand LÉGER (1881 - 1955) Music : The Orchestra Lithograph after a watercolor (printed in Atelier Mourlot) Signature printed in the plate On paper 66 ...

Women is an original artwork realized by the artist Narcisse Diaz de la Peña in the mid-XIX century. Signed on plate on the lower right corne...

Connais-tu le Pays (Primavera) apres J. Rolshoven (Do you Know the Country -Spring) Etching, 1889 Signed "Julius Rolshoven" in pencil...

Artist: Marc Chagall Title: The Ballet Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 22" x 18 1/2" Sheet Size: 14" x 10" Signature: Unsigned Reference: Cramer 78, Mo...

PABLO PICASSO (1881-1973) Peintre et sa toile, 1963 Linocut printed in two colors on vélin d’Arches paper 29 5⁄8 x 24 1⁄2 inches ; 75.2 x 62.2 cm Numbered ‘16/50’ and signed ‘Picasso...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of the...

Chuck Close Art Card: Chuck Close - Linda, 1975-6, Uniquely Signed, dedicated and inscribed vintage card, from the Estate of Cordelia Platt, 1988 Uniquely Signed, dedicated and inscr...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

RF ART Road to Nowhere 3D-construction on Hahnemuehle Velvet Year: 2021 Size: 23.4 × 16.5 on 23.8 × 16.9 inches (59.44 × 41.91 cm on 60.45 × 42.93 cm) Signed and numbered by hand Edi...