Charles J. Basebe Paintings

Large stunning portrait of a beautiful seated woman in a red dress framed in a period carved giiltwood frame. Signed upper right R. Hinton Perry. Dated indistinctly 1931 or 1939. Roland Hinton Perry (1870-1941) was a sculptor and painter committed to the Beaux-Arts tradition. Born in New York, he studied in Paris at the Académie Julian under Henri Chapu and Denys Puech...

Portrait miniature depicting a lady in Elizabethan dress with ruff collar and jeweled bodice, rendered in watercolor on a thin ivory tablet. The sitter is shown in three-quarter vi...

With a distinct hand, the painter has affectionately captured this child's delicate spirit. Highly detailed and of the utmost of skill, this painter showcases his/her abilities quite...

A large and beautiful three quarter length portrait of a partly seated lady her hat over one arm holding a bouquet of flowers, the other arm held upward holding a branch of a tree. This original oil on canvas by the British artist Laurence Koe, (1863-1913), is signed on the lower right and dated 1905. Lawrence E. Koe was a portrait painter and sculptor. He is listed as living in Brighton when he first exhibited at The Royal Academy in 1891, but by 1894 he had moved to London where he appears to have settled for the remainder of his life. Koe exhibited widely; over twenty times at The Royal Academy, but also at the R.O.I, The Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. Most of his exhibited works were portraits, and among his sitters were the wives of fellow artists Harold Speed RP (1872-1957) and Harold Piffard (fl. 1895-1899). In 1896 Koe exhibited “Venus and Tännhauser” at the Royal Academy, now in the permanent collection in the Brighton Museum and Art and he showed a painting of Sappho two years later. He clearly shows the influence of other artists working at the same time, notably Singer Sargent, Arthur Hacker RA (1858-1919) and Herbert James Draper...

Pair of beautifully painted oil portraits of a mid-Victorian English couple. Portrayed from the chest up, the lady looks directly at the painter, showing an elaborate hair style wove...

A finely executed full length pastel drawing on paper laid down on board of a standing lady (titled Aunt Ford on verso), faintly signed J Grant, Bath 1809 at the right hand lower...

Henry John Yeend King R.B.A, R.I., R.O.I. (British, 1855-1924) "A Victorian Lady Standing by a Sundial in the Park" Oil on panel. Signed lower right: Yeend King. "YK" Sticker en ver...

English, circa 1940 oil on canvas portrait of a young woman bearing a confident expression and the curious smile of Mona Lisa. A mottled background of taupe-gray is the perfect compl...

Late 1800s Antique American Victorian Painted Portrait of a child in its Original Rosewood Frame. With a distinct hand, the painter has affectionately captured this child's delicate ...

(British School, C. 1840) An Exceptional Quality Portrait “Lady in Green” Oil on canvas painting. Exceptional 19th century. portrait of a youn...

portrait of a robust gentleman, a fine example of an antique ovular oil on canvas, the work depicts a hale and hearty gentleman with rosey cheeks and curley hair dressed in black, ex...

Painted in the early 19th century, this couple most likely came from means, as portraits were not an inexpensive proposition back then. They are dressed conservatively, but beyond th...