Charles Lees Paintings

This original 1940s grayscale watercolor by Charles Ragland Bunnell depicts a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Rendered in subtle gradations of black and gray, the composition reflects the influence of WPA-era Modernism, combining industrial subject matter with expressive abstraction. The work is a notable example of mid-20th-century American Regionalism, capturing both a sense of place and a forward-looking artistic vision. Bunnell’s restrained palette and simplified architectural forms transform the industrial landscape into a dynamic modern composition, emphasizing structure, rhythm, and atmosphere. The subject references the Golden Cycle Mining and Reduction Company, a major contributor to Colorado’s early 20th-century mining industry, located in what is now Old Colorado City. Through this modernist lens, the painting documents an important chapter of Western industrial history. The watercolor measures 8 1/8 x 9 5/8 inches (sight size) and is presented in a custom black frame measuring 18 x 19 ½ x 1 ⅜ inches, making it a refined, display-ready piece for collectors of American Modern art, WPA works, and industrial landscapes. Charles Ragland Bunnell (1897–1968) was a pioneering Colorado modernist, New Deal art...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

Blue Marine Flora is a dynamic, nature-inspired painting that evokes the lush complexity of coral ecosystems. With bold strokes in vivid blue, red and charcoal, the composition mimic...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timeless interaction of light and pigment on surface, with subjects ranging from the human figure to fresh fruits and vegetables, architectures, statues and city walls. "I love paper, and the way pigments are transported along a thin surface of transparent water then dry. Although my paintings are often classical, I studied at the Museum School in Boston and the École des Beaux-Arts in Paris when marks, gesture and atmosphere were of greatest importance. As I travelled more and more, the charcoal and oils gave way to a small watercolor box and brushes. Through the streets of Rome, Paris, Barcelona, Boston, New York, Mexico and Guatemala, I have painted indoors and out, subjects from the eternal to the fleeting. The human form and the humble strawberry are endlessly inspiring." “When I paint with watercolor, I try to make each mark count, to make each stroke of the brush describe what I am looking at, to get the right puddle on the paper and capture life. Sometimes the puddle has a skinny red edge, sometimes a soft burst of pigment, sometimes a lucky watery accident.” Artistic Advisor at the American Academy in Rome, Wendy Artin completed her undergraduate studies with honors in Painting and French...

Vincent Dion's painterly abstractions mimic various printed techniques which reconcile and affirm the introspective presence of the hand. Dion’s use of luminous color becomes his es...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. He attended the Brassart school then the École des Beaux-Arts in Bourges. In the 80s, he moved to the Un...

Title : N° 587 - Size Dimensions: 41 x 57 cm Technique : Watercolour on paper Year: 2010 Price: 800 euros

This beautiful and vibrant 19th century American watercolor is an hommage by Paul de Longpré to the Alps, as it features a rich variety of Alpine flowe...

Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. He attended the Brassart school then the École des Beaux-Arts in Bourges. In the 80s, he moved to the Un...

JAZZU - Reflection head 2020 21x29,7 Watercolours and pencils on 220gr Canson paper Signed on the back Jazzu is the signature of an autodidact whose modesty borders on timidity. ...

Jacques Halbert, born in 1955 in Bourgueil, is a contemporary French artist. He attended the Brassart school then the École des Beaux-Arts in Bourges. In the 80s, he moved to the Un...