Christiane Baumgartner Art

Image dimension 36.5 x 18 cm. Hand Signed. Edition of 100 pieces.

Technical Information: Alex Katz Tree 8 2022 Woodcut and Lithograph 39 3/4 x 39 1/4 in. Edition of 60 Pencil signed and numbered

Color woodcut, Edition 30 The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...

Woodcut in colours, on Echizen Kizuki Hosho paper, with full margins Edition 29 of 120 50.8 x 67.5 cm (20 x 26.6 in) Signed, numbered, dated and titled on the front Artwork in excell...

Surf Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Artist: Michael Mazur, American (1935 - 2009) Title: Wakeby Island Year: circa 1990 Medium: Color woodcut with chine collé, signed and numbered in pencil Edition: 15 Image Size: 15 x...

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

House in Kyoto Color woodcut, 1963 Signed in white brush bottom left of image, along with the artist's red stamp (see photo) Titled, dated and numbered in pencil bottom margin (see p...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, wrote about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses t...

unframed woodcut 25; x 15 paper size 19; x 13 image size

El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...