Claudia Meyer Art

Raymond Graber‘s celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This wheel of life thangka is hand painted on canvas with 24k gold. The contrast of yellow gold on black with broad golden frame makes it a stunning art. The artist has painstakingly...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"The Sacred Color" is an original minimalist oversized painting by the late Svetlana Shalygina. It is a part of the limited series sought after by interior designers for its ability ...

Peter Peereboom (1952) graduated from the Royal Academy of Arts in The Hague. He has various solo shows on his name including Centre Pompidou Paris in ...

A stunning original abstract by the late Svetlana Shalygina with heavy texture on top and subtle dark grey crackle on bottom with a white band in the middle. This contemporary mixed ...

Artist : Svetlana Shalygina, "The Elegance of Simplicity" Original black & white textured diptych. Large scale, uniquely textured Contemporary paintings, with 2.5" gallery wrap edg...

ZAX 2002 "God Bless America" A Large 3-dimension one of a kind hand painted polymorph on paper, E.M. Zax Born and raised in Los Angeles, E.M. Zax is taking art to another dimensio...

"White Silence" is a triptych created by Enrico Benetta in 2016. The painting comes unframed, with a total dimension of 28" x 59" x 5". This piece was made with acrylic paint, gesso, and corten steel - the signature materials that Benetta has become known for. Thanks to his excellent skills, the artist uses unconventional media to create truly unique artworks, that take the viewer to an aerial, restless dimension - despite the opposite nature of those materials. Benetta's work takes the heritage of Italian industrial design and fuses it with contemporary art, giving life to unique abstract pieces that spark the attention of art lovers worldwide. He studied Fine Arts in Venice, and his work has been featured in more than 25 exhibitions in the recent years, in addition to his collaboration with brands like...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...