Conrad Marca-Relli Mixed Media

Vibrant and highly textured abstract composition by R. Curtis Williams (American, 1930-2007). Signed and dated "r. curtiss williams 2006". Tag on verso indicating title, size, and ar...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

In The White Giants Thigh - where the rivers met and the curlews cried, can you walk through darkness into the white giants thigh? Inspired by the hauntingly beautiful Dylan Thomas poem this is a hauntingly beautiful abstract from Peter Rossiter. Mixed media on board. Excellent condition. Peter Rossiter was born in Cambridge, UK in 1950 and studied at York University & The Courtauld Institute, London. Peter's background is rooted in the global art world; his Grandfather was the German born British painter, Martin Bloch...

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...

Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...

Printmaking composite with Japanese paper, pencil and silver leaf on white BFK Rives Printmaking Paper. Paper: 22" x 22" Frame: 25" x 25" At the core of the dialogue between the a...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about feeling, she creates magic and captures the moment by infusing her art with strong emotive qualities. Zabel communicates each scene with precision. Her work evokes the Impressionists, but depicts modern love and adventure. Couples stand at bar top tables...

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...