Danese Milano Ceramics

Unique 1950s sculptural Perignem ceramic wall plaque made by F. Sanchez (signed). This beauty comes in charcoal black with sophisticated red and green colors. Signed on the backside ...

A vintage Italian mid century modern ceramic table lighter by Aldo Londi for Bitossi, imported by Rosenthal-Netter, 1960s. This unique lighter boasts tones of marigold, tangerine, an...

A green glow: monumental vintage Italian brutalist hand-worked metal ashtray by Marcello Fantoni for Raymor, made in Italy circa 1950. Patinated copper in tones of chartreuse, teal, and pewter. Born in Florence in 1915, Marcello Fantoni wed ancient Italian pottery technique with decidedly Modernist elements, garnering tremendous acclaim both at home and abroad - his work has been collected by important museums worldwide. When Fantoni died in Florence in 2011 at the age of 95, his obituary in the Italian newspaper La Nazione hailed him “the master of beauty.” This stunning piece certainly justifies the moniker. With the signature etched on verso, it is without doubt an heirloom rarity for the savvy collector...

Ashtray series "Wave" Ettore Sottsass, 1969 u2028Glazed ceramic ashtray, designed by Ettore Sottsass in 1969 for the Onda series. The work is made of ceramic with cinnabar red glaze,...

Chess Game in Two Colored Travertine, Angelo Mangiarotti, Italy, 1970

German-born artist Josef Albers wonderfully designed Homage to the Square, four glazed Italian porcelain ceramic platters, chargers, plates, each hallmarked/stamped on verso, from a limited sold-out edition. Each platter comes in its original box and is based on Albers' 1954 original oil on masonite work. Albers is widely considered one of the most influential artists and teachers of the visual arts in the twentieth century. The platters were done in a limited edition run of 1500 in 1999 and quickly sold out. They were all made in Italy specifically for MOCA (Museum of Contemporary Art). Would be a great addition to any modern art or ceramic collection. These platters have become rare and scarce - especially in this pristine, as new condition. Platter dimensions: .75" high, 11.75" wide, 11.75" deep...

Iconic goblet, vase hand-painted with abstract décor in shades of white, blue, yellow, and red, outlined with black lines. The result is an almost architectural effect, characteristi...

Large Vintage Brown Round Ceramic California Studio Cigar Ashtray Catchall Large vintage 1960s brown round ceramic cigar ashtray. Vintage Pottery Craft Ashtray Tobacciana Collectible Drip Pottery dish. Vintage Pottery Craft Ashtray Catchall Decorative Bowl. Handcrafted ceramic ashtray, this beautiful pottery ashtray catchall has a star design center with sides of stoneware, great design and colors in dark brown, beige and caramel drip. Stamped underneath: Pottery craft 401. Vintage stoneware Mid...

A delightful little vase made by Danish ceramicist Marianne Starck (1938-2007) in the 1960s. Partially glazed, it reveals the raw material of the stoneware, in this case chamotte cla...

Aldo Londi Koala Bear Savings Box for Bitossi, Italy 1960s A beautiful Aldo Londi designed Koala bear in the shape of a savings box. The Koala is made of heavy ceramics - pottery,...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

Mari Simmulson (1911-2000) for Upsala-Ekeby, Sweden. Large ceramic figure of a woman. Hand-decorated with white, black and cobalt blue (hands and face unglazed). Model 9032M. Appro...