David Bromley Abstract Sculptures

Sky Blue Excess by Chloe Hedden captures the serene and infinite expanse of the sky in rich, sculptural texture. The swirling, fluid application of paint evokes the gentle movement o...

Sap Green, Forget Me Not, and Prussian Blue Trio Combo by Chloe Hedden offers a contemplative journey through emotional tone, natural reference, and material excess. In this trio, He...

Hot Pink Excess from Chloe Hedden’s Excess series embodies the tension between material opulence and emotional intensity through thick, sculptural ...

Forest Fern Excess from Chloe Hedden’s Excess series captures the rich depth and organic movement of nature through thick, sculptural layers of dee...

Chloe Hedden’s Sky Blue Excess from her Excess series captures the interplay between material abundance and emotional depth through thick, sculptural layers of paint. The sky blue hu...

Celadon 3 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

Light Rose Excess by Chloe Hedden is a delicate yet exuberant exploration of softness and texture. This sculptural painting captures the essence of blooming petals, whipped frosting,...

Mint Excess 2 by Chloe Hedden is a refreshing exploration of color and texture, evoking a sense of tranquility and renewal. The cool, vibrant mint hue is both soothing and invigorati...

Pink Frosting Excess by Chloe Hedden is a luscious, tactile indulgence, evoking the airy swirls of whipped confection. The thick impasto application creates sculptural peaks and fold...

Hot Pink, Light Rose, and Vermillion Excess Trio Combo by Chloe Hedden erupts in a visceral symphony of heat, sweetness, and saturation—an unapologetic celebration of color’s emotion...

IN A WHILE (2025) is a small-scale, wall-mounted mixed-media sculpture by Vera Vizzi that transforms a familiar domestic object into a sculptural encounter. Hand-modeled in foam clay and applied onto a compact wooden block (25 x 9 x 10 cm), the work is finished with layered acrylic paint and enamel marker decoration along the extruded “tube” form. The piece foregrounds tactile surface, color contrast (white base with red/yellow graphic motifs) and a vertical, relief-like silhouette that reads equally as objet d’art or a focused accent on a gallery wall. Conceptually the work frames an everyday action — squeezing a tube — as a compressed temporal event: small gestures that compress time and meaning. Keywords for search and contextualisation: mixed media on wood, foam clay sculpture, enamel and acrylic, wall sculpture, small contemporary sculpture...

Vermillion Excess from Chloe Hedden’s Excess series embodies the interplay between material abundance and emotional intensity through thick, sculpt...