David Hamilton Landscape Photography

This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

This striking vintage black-and-white photograph by acclaimed American photographer Harold E. Malde (1923–2007) captures the raw energy and ephemeral beauty of spring in the mountain...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

This vintage black and white photograph by Harold E. Malde (1923–2007) presents a compelling view of the Chetro Ketl Ruins in Nageezi, New Mexico, one of the most significant archite...

This early contact print is signed in pencil on the front of the mount with the artist's stamp on the back of the mount. One of Morley Baer’s greatest seascapes, this image was taken...

This silver gelatin print is signed in pencil on the front of the mount. Post-BMFA 11 studio stamp with title in ink on the front of the mount. An inscription by Adams' assistant "Pr...

This silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" (edition...

This large silver gelatin photograph with untrimmed margins is signed and titled in pencil in the margin under the image. Likely printed in the 1990s.

Signed in pencil on the front of the mount. Stamped on the back of the mount. From the Friends of Photography Print program, likely printed in the 1980s.

This silver gelatin print is signed in pencil on the front of the mount with BMFA 11 stamp, title and date in ink on the back of the mount. An inventory number in pencil on the back ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...