Sunday Morning Mayflower Hotel NY Nov. 28, 1982 David Hockney photo collage
By David Hockney
Located in New York, NY
This Hockney photographic collage depicts the artist in his suite at the Mayflower Hotel while preparing designs for the sets and costumes of a French Triple Bill of opera and ballet at Lincoln Center, New York. Decorated in earth tones and shades of sepia, the room is seen from the point of view of the artist who is reclining on the bed. At the center of the composition, a mirror reveals the artist in the act of photography, a black camera obscuring his face. A pack of Gitanes cigarettes are placed atop a glass ashtray, by a rotary phone. Stacks of books on the bureau suggest an extended stay. Hockney’s gold-ringed hand is outstretched to the left, while his body is obscured by newspapers spread across the bed. On the cover of The New York Times Book Review, Robert Lowell’s stern visage: “The Poet at the Center”. To the right lies a color program for the Metropolitan Opera’s 1982-83 season, Hockney’s sly nod to their production of Parade, a triple-bill of short French pieces directed by John Dexter, for which Hockney designed innovative sets and costumes. The production included Satie's ''Parade,'' Poulenc's ''Les Mamelles de Tiresias'' and Ravel's ''L'Enfant et les Sortileges.” Hockney was staying at the Mayflower Hotel, located opposite from Lincoln Center, to work on this project.
While the artist has removed almost all traces of his body -- save a curiously large hand, and his obscured reflection -- this work is remark...
Category
1980s Contemporary David Hockney Photography
MaterialsArchival Paper, Photographic Paper