Debbie Allwright Art

Ce dessin à l'encre et à l'aquarelle gouachée est une œuvre de l'artiste Marine Oussedik. Le dessin a les dimensions suivantes : 27 x 93 cm ; encadré dans un beau cadre en bois doré ...

WPA Post Office Mural Study American Scene Regionalism Social Realism Modern Art Louise Emerson Ronnebeck (1901 - 1980) Oil Riggers, Mural Study Image: 6 1/2 x 37 inches Watercolor ...

19th Century French School, Studies of horses and small scenes, pencil on paper 14.5 x 21 cm Framed : 25.5 x 32.7 cm This study sheet, which brings together studies of horses and...

A modern Chinese watercolor painting depicting three stallions running underneath a blazing sun.

This elegant leather document holder, ornamented with a romantic inset watercolor, contains a formal presentation address written in a decorative 19th-century German script. The docu...

A woman artist, in the 1930's traveling to North Africa and around the globe! Martha Walter's training with William Merritt Chase is evident in the saturated colors and plein-air sub...

Egron Sellif Lundgren (1815–1875) Sweden Resting Dromedar, 1861 watercolour heightened with white unframed 21 x 29.2 cm (8 ¼ x 11 ½ in.) framed 40 x 48 cm (15 ¾ x 18 ⅞ in.) Provenance: Sale, Stockholm, Bukowskis, 12 December 1894, lot 42; Signe and Ernst Trygger (1857–1943), Villa Trygger, Stockholm. Ernst Trygger was Swedish Prime Minister (1923–24), Minister of Foreign Affairs (1928–30) and University Chancellor (1926–37); A Swedish private collection. Literature: Förteckning på oljemålningar, aquareller och handteckningar m.m. av Egron Lundgren utställda i Akademien för de fria konsterna, 1876, no. 259. Karl Asplund, Egron Lundgren, Vol. II, 1940, p. 40, note 1, p. 166. Exhibited: The Royal Academy, Egron Lundgren, 10 April 1876, no. 259. Sveriges Allmänna Konstförening, Memorial Exhibition, February 1915, no. 70, Hvilande kameler (owner Ernst Trygger). The Royal Academy, Svenska Akvareller (Swedish Watercolor Exhibition), 1925, no. 224, Vilande kameler (owner Signe Trygger). Essay: This delicate watercolour, executed during Lundgren’s first journey to Egypt in the winter of 1861–62, depicts a resting dromedary in the shade at Giza. Painted in transparent washes with touches of white gouache, the work captures the intense desert light and atmosphere with a remarkable immediacy. The reclining animal dominates the composition, rendered in warm ochres and browns against a cool, shadowy background, while highlights on its saddle and coat give the scene a subtle radiance. The quiet stillness of the subject reflects Lundgren’s sensitivity to the everyday motifs of the Orient, which he observed and painted directly on site. Lundgren travelled to Egypt in the company of two British artists, Frank Dillon (1823-1909) and George Price Boyce...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Swedish artist Egron Lundgren sketched a small herd of goats and sheep resting together in this scene. Two goats recline quietly at the center while another stands nearby, creating a...

A. Lesueur French 19ème siècle Les Mille Et Une Nuits – One Thousand & One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 inc...

Gustave Fraipont (1849-1923) A Peasant girl with her flock of Turkeys, Ink and heightenings of blue watercolor on paper 23 x 15 cm Signed on the lower left and titled on lower righ...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...