Denis Perollaz Wall Decorations

Title: Einstein State I (with embellishments). By: Steve Kaufman. Date: 1990s. A limited edition screen-print on canvas with hand embellishments (in oil). Depicting Alber...

Impressionist New York City, a snowy winter day on 5th avenue. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride with the famous E...

Edouard Leon Cortes (French, 1882-1969) "Porte Sain-Denis" signed Édouard Cortès l/r. Oil on canvas. Measuring 21 /2 by 25 inches. Provenance: Wall...

Matteo Lovatti (Italian, 1861-1909) A Fine 19th-Century Oil on Canvas Titled 'Church V. State - The Fencing Lesson'. The finely detailed artwork depicting an interior tavern scene, f...

This multiple is sold together with the accompanying book 'Enrico Castellani Pittore' by Vincenzo Agnetti. Published by Achille Mauri, Milan, accompanying publication of the book 'E...

American engraving of the surrender of Cornwallis, depicting Cornwallis and troops presenting sword to George Washington and a fellow commander on the battle encampment, in a gilt wo...

Large and dynamic, this 1947-vintage painting depicts a shirtless man handling a high-spirited Percheron horse that won a blue ribbon at the Indiana st...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Mixed media painting signed Patricia St John Danko. This interesting abstract mixed media study in black by listed 20th century Texas artist Patricia J...

A rare and important work by one of America's most important muralists working in the 1930s and 40s, this painting of a female figure on the edge of a magical forest, accompanied by ...

Sweden, 1980's. Mixed media. Measurements: H: 82 cm / 2' 8" L: 49 cm / 19 1/3’’ W: 10 cm / 3 1/6’’. Born in Uppsala, Sweden, Hagberg became heavily influenced by Eastern calligraphy throughout his life – and developed a spontaneous sign painting style with a strong concentration on a select amount of characters rooted in Zen Buddhism...

Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940 by Kristen M. Jensen, Bartholomew F. Bland, Katherine E. Manthorne, Wendy Greenhouse, and Ellen E. Roberts. Fordham University Press, 2013. 1st Ed softcover. Co-published with the Hudson River Museum, Yonkers. The exhibition ran from October 12, 2013, through January 17, 2014. It was not until the first decade of the 20th century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan, by then the nation's most important city. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City. What was different was their approach. Giving way the romantic ideals of earlier painters, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson...