Denis Santachiara Furniture

Mid century modern fire red one molded fiberglass piece bench loveseat sofa couch. Sculptural ultra modern design piece of furniture.   

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

This is a Royalton sofa, originally designed by Philippe Starck in 1988. These particular pieces were produced by Driade in Italy in the 2000s. The sofa features curved front legs in...

A classic by Vladimir Kagan originally designed in 1950. This piece produced by Vladimir Kagan as marked, circa 2001. Outfitted in its original upholstery and maple platform base,...

A truly elegant and rare table lamp by Pietro Chiesa for Fontana Arte, Italy, c.1940. Sitting on a circular, eau de nil Fontana Arte glass base, a fluted nickel and brass stem suppor...

A lovely romantic Baroque style three seater sofa with cushions covered in vintage fabric. Made in solid oak. Handcrafted by Danish cabinetmaker Hans Dau in the 1950s. The overall im...

Ottoman Pouf Drova: A Perfect Blend of Design and Functionality Introducing the Ottoman Pouf Drova, a versatile and stylish addition to any living space. Handcrafted with precision ...

Ottoman Loop in Bouclé Fabric by WOO – Iconic Design and Unmatched Comfort The Ottoman Loop is more than just seating—it's a statement piece that transforms any space. Crafted in th...

Elegant table lamp designed by Fontana Arte in 1954. Bromated base with double curved crystal top in black with burgundy red reflections when lit, and lower translucent white that em...

Pirellina table light is a work deigned by Gio Ponti in 1967. Made by Fontana Arte, Milan. H. 36 x 17 x 8.5 cm. Cast aluminum, painted gray, glass, frosted and ribbed, metal ro...

Daniela Puppa (1947) for Fontana Arte, table lamp model 2850, Aluminum and yellow sandblasted glass, circa 1990, Italy. Signed . Very good condition . 6 small bulbs needed .

This family of minimalist objects, whose ancestor is Tato, emphasizes whatever is strongly visual and chromatic, without of course overlooking the functional. They are at their best ...