Dinah Hulet Mixed Media

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* One of a kind seashells encrusted round mirror. There are many s...

This piece titled "Quiet Spark Mask" is an original painted dimensional work by Sarah Detweiler and is part of Detweiler's "Spectrum of Curiosities" series, featuring whimsical portr...

This piece titled "I Give Myself Grace Now" is an original painting by Sarah Detweiler and is made from oil paint, recycled fiber packing material, crochet thread, acrylic mirror tiles on canvas with acrylic painted edges. This piece measures 48”h x 36”w and ships with a gallery-issued Certificate of Authenticity. In Unmasquerade, Detweiler positively redefines the ADHD term of masking as a purposeful and playful act, as her figures wear novelty sunglasses, fur suits...

This piece titled "Screen Time Mask" is an original painted dimensional work by Sarah Detweiler and is part of Detweiler's "Spectrum of Curiosities" series,...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

"Nightfall" - Limited Edition Reverse Painted Etching on Glass 1/100 A mirrored moon rises over mountain peaks against a deep purple sky gradating into hues of orange and yellow in this hyper-realistic planetary scene by artist, Michael Bates...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Eva Bouzard-Hui (American, 1936-2023) "Evolutions Book Mark", Mixed Media on Paper and Glass, 1994, signed in pencil and dated "94" lower right, label with title and signature to ver...

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...