Dorothea Sharp Drawings and Watercolor Paintings

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Though signed "Yolanda," the artist of this gouache and watercolor painting is unknown. The still life, contained and symmetrical, is dominated by the form of a pear. On either side,...

Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...

Lowell Tolstedt (American, b. 1939) Still Life with Leaf, Key, Eye Hook, and Other Objects Pencil on board, 5 x 19 inches (sight) FRAMED: 14 x 28 inches Signed at lower right: "Lowe...

I LOVE SHOES #2 - The classic sling-back, this artwork blends acrylic, pencil and colour pencils in a loose style keeping it both expressive and refined. The piece floats above the m...

Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration Antonio Petruccelli (1907 - 1994) JAPAN ISSUE Fortune cover proposal, c. 1936 14 1/4 x 12 inches (sight) Framed 19 3/4 X 17 3/4 Inches Gouache on board Signed lower left BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

This contemporary drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus o...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...