Dorothea Sharp Drawings and Watercolor Paintings

An American School watercolor showing an old Ford Model T flatbed truck backed up to a barn in a rural landscape. A well-composed work paint...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Secret Garden 12, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

Alberto Morrocco OBE RSA RSW RP RGI LLD DUNIV (Scottish, 1919 – 1998) Tomatoes gouache on board 11 x 15. ¾in. (28 x 40cm.) Provenance: Alberto Morroc...

Elegant mid-century watercolor still-life with grapes, a vase, and fine china depicting three cranes by Laurelda Cecille Schmidt (American, 1903-1994). Presented in a giltwood frame...

Rosehip. Oil on cardboard, 23x27,5 cm

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right Archivally framed with black float mount and bleached maple surround.

Colored Pencil on Museum Board Signed and Dated; Impressed with artist's stamp lower right