Dpowko Paintings

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

"Landscape" – 160x140 cm Original artwork, unique and non-reproducible. This large-format work expresses the essence of the landscape through an evocative and essential language. Cr...

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important Italian private collection. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali, Fortunato Depero and Gerardo Dottori. In 1953 he took part in the exhibition ‘l'arte nella vita del mezzogiorno’ (art in the life of southern Italy) in Rome and was included in the jury for the awarding of prizes. He also took part in the third exhibition ‘il maggio di Bari’ and in the ‘biennale del mare’ in Rimini. From 1954 to 1960 he took part in many collective exhibitions such as the ‘Sesto Maggio di Bari’, the ‘Villa San Giovanni’ award, the ‘Terni award’, the ‘Avezzano award’, the fifth exhibition of the ‘Triglia d'Oro’, the Michetti award, a personal exhibition in Varese, at the ‘piccola permanente’ In 1961, he stayed in Munich in Germany and exhibited at the Schoeninger Gallery and in the city's ‘Kuntz-Cabnier-Klimt’ studio. Encouraged by his long-standing friendship with Emilio Pettoruti, he also stayed in Paris, where he painted syntheses of the city that were very successful. In 1962, he held a personal exhibition in Venice at the San Vidal gallery and another in Munich at the Wolfgang Gurlit gallery. In 1964 he returned to Rome with a solo exhibition at the Antea gallery. In 1965 he presented his works at the ‘Italian medal...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

An evocative oil painting by Katherine Bowling, completed in 1989. Executed on spackle over wood, this atmospheric composition reveals Bowling’s distinctive technique of layering thi...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

CANYON EDGE Size: 36 x 46.5 cm (including frame) Oil on board A striking mid-century modernist landscape rendered in a semi-abstract style, that captures the sculptural quality of t...

Horacio Sapere (1951) - Abstract - Oil and collage on canvas Signed lower right Canvas measures 61x46 cm. Frameless. Title: Abstract with Portrait - Oil and Collage on Canvas by Horacio Sapere (1985) Short Description: A unique abstract piece by Horacio Sapere, influenced by artists like Antoni Tàpies and Jean-Michel Basquiat. Mixed media combining oil and collage, perfect for contemporary art collectors. Detailed Description: Discover the fascinating intersection of abstraction and figuration with "Abstract with Portrait" by Horacio Sapere. Created in 1985, this piece blends oil and collage on a 24 x 18-inch canvas, showcasing the artist's mastery in layering textures and integrating forms. Horacio Sapere, known for his multidisciplinary approach that spans painting, visual poetry, and performance, aligns himself with the tradition of great contemporary art figures. His work echoes the material intensity of Antoni Tàpies, the gestural energy of Jean-Michel Basquiat, and the narrative capacity of Robert Rauschenberg, establishing a dialogue between chaos and order, abstraction and figuration. Inspired by the artistic movements of the late 20th century, Sapere crafts a visual language that resonates with Informalism and Abstract Expressionism, making it a standout choice for contemporary art enthusiasts. This piece is ideal for those looking to enrich their collection with a work that is not only visually striking but also conceptually grounded. It includes a certificate of authenticity to guarantee its provenance and originality. Related Artists: - Antoni Tàpies: For his use of unconventional materials and focus on texture - Jean-Michel Basquiat: For the energy and expressiveness of abstract strokes - Robert Rauschenberg: For the combination of mixed media and collage in compositions - Cy Twombly: For balancing visual chaos with the subtlety of abstract forms Key Points for Collectors: - A unique piece by an internationally recognized artist - Contemporary style that fits modern spaces - Mixed media highlighting the interplay of textures and color - Guaranteed provenance with a certificate of authenticity Dimensions: 24 x 18 inches (unframed) Technique: Oil and collage on canvas A Treasure for Contemporary Art Collectors This work represents an exceptional opportunity to acquire an original piece by an artist who, like Tàpies or Basquiat, challenges traditional art norms to offer a unique visual and emotional experience. --- Let me know if you need any further adjustments. Horacio Sapere (Buenos Aires, 1951). He has lived and worked in Mallorca since 1975 and since 2011 he has had a studio in New York. An intense and committed artist, he develops his creative process through theater and performance (1970-1980), visual poetry (1976-1982), painting and sculpture. Creator of major projects such as Poet's room (1995), presented for the first time at the BMB gallery in Amsterdam (1996), at the UIB -Universitat de les Illes Balears- (1997) and at the Sala de Cultura Sa Nostra in Ibiza (1998). ); and as a sculptural poetic installation at the MEIAC, the Spanish and Ibero-American Museum of Contemporary Art in Badajoz (2000), the Fernando Pessoa...

Summer blooming Ukrainian field at night. Inspired me to create this painting. I really like to paint abstract pictures. I paint them with feelings and the energy of the inner body...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspirations are the expressionistic skylines of big cities like Manhattan, Philadelphia, or Chicago filled with colorful skyscrapers. The urban, scenic views are abstracted and rich with vivid and textured layers. Ermilkina’s emotional architectural patchwork and mosaic cityscapes radiate a life of balance and positive energy. This artwork measures 15 inches high by 30 inches wide. Ermilkina carefully adds thick cube-like dots of oil paint with a palette knife in distinct patterns onto the surface, adding an intricate three-dimensional texture to her oil paintings. The color spots partially blend into a fuller range of background tones and give the artworks a significant depth. She signs the front of the artwork and paints the sides as a continuation of the front. It does not require framing. It is wired and ready to hang. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the gallery is included. Born in 1975, Saratov, Russia, Ekaterina Ermilkina now lives and works in New Jersey. She grew up in the beautiful city of Yalta in Crimea on the North coast of the Black Sea, where in 1985 she enrolled as a student to the School of Art of F.Vasiliev, graduating in 1991. After her first introduction to fine art in Yalta, in 1992, Ekaterina Ermilkina moved to Saint-Petersburg, Russia. In 1998 she received her MFA from State Art and Industry Academy. The unique beauty and rich culture of the city inspired her to paint cityscapes. In late 2005, Ermilkina moved to the U.S. Her works has been presented in various solo and group exhibitions in international galleries and art fairs and have been collected throughout the United States, as well as Canada, Germany, France, Switzerland, Japan, Hong Kong, and Russia. Her artworks pop with color and motion, casting a candied haze across the urban landscape. “I am focused on art all my life. It makes me optimistic, full of energy and happy. The vivid colors of Crimea where I grew up, the beautiful marine of the Black Sea, inspired me to paint for the rest of my life. I believe that paintings can reflect our desires for beauty, poetics and perfection.” Artspace Warehouse has been representing and exhibiting Ekaterina Ermilkina's original oil paintings since 2013. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles, CA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 “Urban Ecologies: Cities Are Built for Art”, Artspace Warehouse, Los Angeles, CA 2022 Paper Mill Playhouse, Millburn, NJ 2022 Affordable Art Fair, New York, NY 2022 Alcheringa, IIT Guwahati, India 2021 Affordable Art Fair New York 2021 Port Authority Bus Terminal, New York, NY 2021 “The Real Presence”, Artspace Warehouse, Los Angeles, CA 2020 High Point Market, North Carolina 2020 Hamptons Virtual Art Fair 2020 Six Summit Gallery, Westbrook CT 2019 Affordable Art Fair New York, NY 2019 Artspace Warehouse, Los Angeles, CA 2019 Leo House, Chelsea, New York City, NY 2019 David Parker Gallery, New York City, NY 2019 High Point Market, NC 2018 Affordable Art Fair, Hong Kong 2018 Artspace Warehouse Gallery, Los Angeles 2018 Gallery 104, New York, NY 2018 Discovery in the Details, SMI, Montclair NJ...