E. Howard & Co. Wall Clocks

A circa 1920's French black marble mantel clock. Measurements: Height: 15" Width: 12.5" Depth: 6"

Iconic Vintage George Nelson / Howard Miller Multi-color Spike / Starburst Electric Wall Clock,, Amazing colors,, wonderful patina,, retains original Howard Miller label,, Tested and...

Superb quality antique Victorian marble mantle clock having a black marble case with quality bronze figures columns and a plaque circular brass bezel ornate dial with Roman numerals,...

Modern grandfather clock by Howard Miller, chrome and Lucite.

Bakelite industrial wall clock from about 1940's, 1950's. Diameter 49 cm and a depth of 10,5 cm. The clock is in perfect condition, no major scr...

This vintage George Nelson Model 2202 sunburst clock for Howard Miller is an iconic example of mid-century modern design, combining playful geometry with timeless radial symmetry. Cr...

E. HOWARD STYLE No. 4 SINGLE WEIGHT DRIVEN BANJO WALL CLOCK Here we are offering a Howard No. 4 style single weight driven banjo wall clock. It has solid brass built 8 day time onl...

A big loft or industrial wall clock from the 1940s. straight and beautiful design, with a domed clocks face, the housing is made of dark brown / black Bakelite. Measures: 19 inch dia...

This antique 66cm diameter wall clock comes from France and was made around 1920s, it was manufactured by Brillie. Clocks like these were originally used in public offices, factories...

Finished in Windsor Cherry on select hardwoods and veneers. Brass finished dial offers a silver chapter ring and decorative corner spandrels. A high-precision, German-made, key-wound...

Vintage pendulum wall clock designed by Arthur Umanoff for Howard Miller. The “Meridian” clock features aspects of Danish Modern design with a walnut w...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...