Edward McHugh Wall Decorations

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

A vintage gelatin silver print photograph by celebrated Hungarian-born photographer André Kertész (1894-1985). Entitled "Martinique", printed in 1972, this is an iconic image by the ...

Hernández Pijoan (1931-2005) untitled Gouache and pencil on paper. Signed an dated 1971.                         

An oil and pastel painting on canvas in a custom walnut frame. "Everything that is solid dissipates in the air" The painting is a sneak preview of an exclusive upcoming exhibit at A...

A fine Italian Mid-20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing around with ...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Bacchus in Repose Medium: Cyanotype Year: 1997 Edition: number 5/10 Measurement: Sight H 14", W 11"; with artist fame H 19.25"...

Zhai Xinjian (China, b. 1950) "The Nude Model Girl" oil on canvas depicting a female nude model posing seated on a draped stool, within a giltwood frame. Signed in Chinese and dated: 1987-9-20 (lower-right). Listed and illustrated in The Hefner Galleries contemporary oil paintings from The People's Republic of China Brochure of Zhai Xinjian, recent paintings, May 3-28, 1988. (See the images of brochure/pamphlet from Hefner Galleries - The brochure/pamphlet is NOT included with the purchase of this item.) Canvas height: 29 inches (73.7 cm). Canvas width: 22 1/2 inches (57.2 cm). Frame height: 35 1/2 inches (90.2 cm). Frame width: 28 1/2 inches (72.4 cm). The current auction...

This work, which required months to complete, features the central figure of Akshobhyavajra, a Tibetan Buddha. Liu Yi, a Beijing-based painter and practicing Buddhist, paints each of...

A visually arresting photograph by John Patrick Dugdale (American, born 1960-) titled "Stillness of Spirit". Relatively large in print size, the w...

Abstract acrylic on canvas painting. Signed: Alexander Hecht, titled "Of The Game" and dated 2012, backside of the canvas, canvas size 40" x 60" x 1.75" profile. Alexander's artwork ...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "The Intimate Shadow", a composed landscape photograph taken in Quilin, the world-famous scenic area in China. Signed with title, inscription of location and dated on the top -left, red sealed on the lower right corner and signed and dated 1982 lower left on the mat. The photograph depicts an idyllic scenery on Li-river with the karst peak in the misty background, where a fishing boat floats. The work was created with dark room manipulation to echo the traditional chines ink painting that showcase a surreal ambience. The photograph is housed in the original artist's archive metal frame with an old print of the artist's bio and copyright mark on the back. It was purchased directly from the artist's studio. Sight Approximately 13.625" w x 10.125" h. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin-San and his technique of layering negatives for ideal composition, by taking three negatives, foreground, middle ground, and far ground, and selecting a subject from each negative. The photographs of Don Hong-Oai are made in a unique style, which can be considered Asian pictorialism. This method of adapting a Western art for Eastern purposes probably originated in the 1940s in Hong Kong. One of its best-known practitioners was the great master Long Chin-San (who died in the 1990s at the age of 104) with whom Don Hong-Oai studied. With the delicate beauty and traditional motifs of Chinese painting (birds, boats, mountains, etc.) in mind, photographers of this school used more than one negative to create a beautiful picture, often using visual allegories. Realism was not a goal. Don Hong-Oai was one of the last photographers to work in this manner. He is also arguably the best. He has won hundreds...

Original acrylic on paper H32"x W28" Framed.. Given by Peter Max to a friend