Edward Sheriff Curtis Art

Set of three Edward Sheriff Curtis original photogravures; Quniaika- Mohave, Portfolio #2, Plate #60, Qahatika Water Girl, Portfolio #2, Plate #54, Home of the Havasupai, Portfolio ...

Set of three Edward Sheriff Curtis original photogravures; Pima Baskets, Portfolio #2, Plate #41, Gathering Hanamh- Papago, Portfolio #2, Plate #49, and Pima Baskets, Portfolio #2, P...

This richly toned photogravure of Indians in ceremonial dress is a wonderful documentation of culture. Curtis visited all the tribes of American Indians and depicted their customs, people, dress and way of life. They are both historic and aesthetic in nature and meant to document and preserve the culture of the American Indian and ethnic cultures. The Qagyuhl is a Northwestern tribe of Indians. The dimensions listed are the framed dimensions. The inner mat cut out size is 13 1/8 x 16 3/4 inches. This is a large format gravure by Curtis printed...

Arresting original period photogravure of a Blackfoot soldier "Fat Horse" by photographer Edward Sheriff Curtis (American, 1868-1956), 1926. Labeled on lower...

Silver and sepia tone photographic print of a Zuni Governor by Edward Sheriff Curtis, image circa 1905 (American, 1868-1952), as a 1980 copy of and printed from negatives derived from the original Edward Curtis, Copper gravure plate, at the Smithsonian Museum by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Signed lower right. Image, 17.75"H x 13.50"W; Shipped with mat. overall, 24"H x 18"W. Born in France and raised in New York City, he moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Silver and sepia tone photographic print of a Assiniboine Native American titled, "Placating the Spirit of the Slain Eagle" by Edward Sheriff Curtis (American, 1868-1952), image c.1899, as a 1980 copy of and printed from negatives derived from the original Edward Curtis, Copper gravure plate, at the Smithsonian Museum by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass...

Silver and sepia tone photographic print of Apache story telling by Edward Sheriff Curtis, image circa 1899 (American, 1868-1952), as a 1980 copy of and printed from negatives derived from the original Edward Curtis, Copper gravure plate, at the Smithsonian Museum by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Signed lower right. Image, 13"H x 17.75"W; Shipped with mat. overall, 18"H x 24"W. Born in France and raised in New York City, he moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Silver and sepia tone photographic print of a Najavo blanket weaver by Edward Sheriff Curtis, image circa 1899 (American, 1868-1952), as a 1980 copy of and printed from negatives derived from the original Edward Curtis, Copper gravure plate, at the Smithsonian Museum by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass...

Silver and sepia tone photographic print of Nez Perce Chief Joseph by Edward Sheriff Curtis, image circa 1900 (American, 1868-1952), as a 1980 copy of and...

Silver and sepia tone photographic print of a Blackfoot couple and a Travois by Edward Sheriff Curtis, image circa 1923 (American, 1868-1952), as a 1980 copy of and printed from negatives derived from the original Edward Curtis, Copper gravure plate, at the Smithsonian Museum by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Signed lower right. Image, 13"H x 17.75"W; Shipped with mat. overall, 18"H x 24"W. Born in France and raised in New York City, he moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

"Touch Her Dress - Kalispel" is an original photographic print in sepia on Japanese Vellum by Edward Sheriff Curtis. This photograph depicts a young girl nam...