Edward W. Quigley Art

'White Andalusian Horse' by Baldur Tryggvason A beautiful close up image of a white Andalusian horse dramatically silhouetted against a black backgro...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

This captivating, one-of-a-kind silver gelatin photograph print showcases a timeless black-and-white view of New York City as it appeared under the nocturnal sky circa 1950. Framed w...

Guggenheim Museum - American Architecture Museum Black and White Photograph The recognisable Guggenheim Museum was designed by American architect Frank Lloyd Wright, and is now a UN...

Gelatin silver print 10 x 8 in. Auriga - Verlag Stamp on paper attached to verso.

'La Fenice' by Erich Auerbach A general view of the boxes at La Fenice, the Venice Opera House, 1st January 1954. A beautiful silver gelatin fibre pr...

Sepia toned silver gelatin print, edition 4 of 25 Custom black stained wood molding with visible grain 8-ply antique white mat with AR non glare glass. 4.5 x 4.5 inches unframed, 17 x 17 inches framed This square sepia toned silver gelatin print of a Victorian spiraling staircase...

This vintage silver gelatin print is signed and dated in pencil mount recto, and again mount verso. Printed in 1961 for inclusion in "Fifteen Photographs" (edition of 50). Mounted to...

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Mary Illen Ft. Worth, TX by John Stryker is a 10 x 8 inch silver gelatin print. This photograph is signed in ink on print recto and titled in pencil on print verso. This photograph features a cowgirl riding a light colored horse, resting at a river. The horse reaches down to the water for a drink, while the woman looks down lovingly at the horse. John Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Three Boys on a Swing, Pitt St. N.Y. by Walter Rosenblum is a black and white photograph documenting three children playing on a swing set in a city park. Gelatin Silver Print 10.5 ...