Elizabeth Harris Paintings

Dale O Roberts' encaustic abstract still life painting "A Jar" (2023) depicts a clear jar with a green lid resting atop a kitchen counter, which flows into a continually colorful a...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Martin Rosenthal "Crossed Lines" 1965 Pastel & Oil paint on paper 19.25"x13" unframed Signed and dated in ink lower right Martin Rosenthal 1899-1974 Artist Martin Rosenthal was bor...

"Lineto I" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 36 x 48 x 2 inches unframed, sides reveal raw panel and wrapped fa...

Rinat Goren (Israeli, American, born 1964) "Almost There" 2021 Encaustic paint and paper on cradled wood panel The artist signed the bottom right corner of the painting. “Almost There” is a luminous abstract work created with encaustic and paper on a cradled wood panel. The composition is anchored by a radiant golden field layered with softened geometric forms, linear markings, and a flowing turquoise passage that guides the eye across the surface. Goren’s use of encaustic allows for rich translucency and depth, with molten wax binding pigment and paper into a tactile, atmospheric surface. Repeating rounded shapes and subtle linear rhythms suggest movement, mapping, and quiet progression, while the contrast between warm yellows and cool blues creates a sense of balance and anticipation. The title reflects this visual language, evoking transition, momentum, and the emotional space between arrival and journey. Blending abstraction with a meditative sense of structure, “Almost There” exemplifies Goren’s refined approach to encaustic painting, where color, texture, and process converge. The work is well-suited for collectors drawn to contemporary abstraction, material-driven practice, and pieces that offer both visual warmth and conceptual subtlety. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing in the U.S. for most of her life, Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

encaustic on paper

encaustic on paper

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

encaustic on paper