Emil Kosa Jr. Art

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

Sir Peter Markham Scott CH CBE DSC FRS FZS Hart Laubs Duck Watercolour on paper 4.3/8 x 6.1/2 in. (11.2 x 16.5 cm.) Provenance: Painted by Scott as a visual record for a bird spotte...

Framed dimensions: 15.5 H x 13 W x 1.75 D inches An elegant, 19th-century Chinese School gouache scroll painting fragment showing a richly-plumed peacock standing among magnolia and...

A charcoal portrait drawing of a young woman. "The emotional intensity found in Bauman’s figurative work is astounding. A hallmark of Bauman’s character portraits is that, somehow,...

Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...

Provenance John Welles Hollenback, New York The Painting is Signed FBartolini Lower Right Federico Bartolini (Italian, 1861 - 1908) Description: Federico Bartolini was a renowned ...

Walter Bothams (British, 1850 – 1914) Dartmoor ponies Watercolour on paper Signed and dated ‘ W Bothams 84’ (lower right) 10.1/4 x 8in. (26 x 20.3 cm.)

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

The painter Emil Fiala (8.9.1896 Prossnitz - Mähren Czech Republic - Dec. 1960 Vienna) studied at the Viennese Academy by Franz Rumpler, August Eisenmenger, Julius Schmid, Christian ...

Ronald D. "Ron" Moody studied under noted artist, Roger Winter at Southern Methodist University (SMU), receiving his BFA in 1973. Two years later, he received his MA from the Univers...

Early 20th-century oil on canvas entitled "Jardins de l'ancienne préfecture" by Dante Donzelli, Charming forest setting with different species of trees and colors. Through the trees,...

Gouache and ink on mat board by Adja Yunkers, signed and dated 1958 on verso. An early work from Yunkers's Abstract Expressionist period, when he was married to art critic Dore Ashton and was part of the circle that congregated at Cedar Tavern. Born in Riga, Russia, Yunkers led a highly cosmopolitan life, studying and working in Leningrad, Berlin, Paris, London, and Stockholm (where he edited and published two art magazines) before settling down in the U.S., primarily in New York City in 1947. A teacher at the New School for Social Research, Yunkers was internationally renowned for his woodblock prints and lithographs, turning to painting--first Expressionist, later Minimalist color fields--in the late 1950's. His work is in the permanent collections of numerous museums, including the Brooklyn Museum, MoMA, the Corcoran Gallery, MFA Boston...