Emily White Art

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Oil, xerox transfer, and blue and gold foil, metal leaf on wood panel Deer, buck, antlers. Animal art, miniature painting Hand signed by artist Certificate of Authenticity Framing av...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

In this dramatic acrylic on wood painting by California artist, Sarah Folkman, a diving nude female is interwoven with a swan which envelopes ...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

Lesley Anne Spowart (American, born 1957) "Dog and Kitty Go for a Ride" 2021 Acrylic Paint, Mixed Media, Wood Panel, Wood The artist signed the bottom left and the back of the painti...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Rick Pas Grilling Guests acrylic on panel 24h x 24w in 60.96h x 60.96w cm RPA004 ARTIST'S STATEMENT Creating is an addiction. With all the highs and lows you would expect. I am interested in the surface textures and creating paintings that portray them in realistic detail. Hopefully a viewer will feel they can run a hand over the feathers and moss, or grasp an object in the painting. This detail is usually composed in an abstract design. The design can occur naturally or be arranged by me. The subjects of my paintings are usually based on the patterns and textures of nature and human interaction with nature. I have found subjects to paint in remote wilderness areas of the world, local parking lots, and my own backyard. EDUCATION Eastern Michigan University, Ypsilanti, MI Bachelor of Fine Arts Pearson Art Scholarship COMMISSIONS AND COLLECTIONS Alliance for the Great Lakes, Chicago, IL Ameritech, Detroit, MI Charles S. Mott Foundation, Flint, MI General Motors Corporation, Detroit, MI Leigh Yawkey Woodson Art Museum, Wausau, WI Potter Park Zoological Society, Lansing, MI SELECTED PUBLICATIONS "Rick Pas From moths to modern-day life." Southwest Art, January 2016 "Interpreting nature." American Art Collector, September 2015 "Abuzz About Bugs." The Artist's Magazine, July/August, 2015 The Lusitania Conspiracy, Walters Media LLC, Traverse City, MI, 2015 (cover illustrator) "Layer Upon Layer." The Artist's Magazine, July/August, 2011 "Rick Pas: Touchable Texture." Acrylicartist, Fall, 2010 "Competition Spotlight." The Artist's Magazine, April, 2009 "Holland show features art inspired by nature." The Grand Rapids Press, July 27, 2008 "Don't Miss 'Natural Eye' exhibit at HAAC." The Holland Sentinel, June 12, 2008 "Softening the definition of landscapes." American Art Collector, May 2008 "Nature is in the Details." The Artist's Magazine, October, 2007 "Nature's Surfaces and Textures." Whisper in the Woods, Summer, 2007 "Arizona Best of the West-Animal Art." Southwest Art, May 2007 "Cover Competition Finalists." American Artist Watercolor, Spring, 2007 Pintores de la Naturleza, SEO/Birdlife, Madrid, 1997 (illustrator) "A Dark, Dark Day Indeed." Audubon, March, 1988 (illustrator) "Wildlife Artist of the Year." Michigan Out of Doors, December 1987 (article & cover illustrator) "Music in the Men's Room." Audubon, July, 1985 (illustrator) "Bird Art Takes Wing at Wausau." Milwaukee Journal, September 11, 1983 "Wildlife Artist of the Year." Michigan Out of Doors, December 1982 (article & cover illustrator) AWARDS Art Renewal Center Salon 2015-2016, Honorable Mention - Animal category Art Renewal Center Salon 2014-2015, Third Place - Animal category The Artist's Magazine Art Competition Finalist, 2006-2010, 2014 Art Renewal Center Salon 2012-2013, Honorable Mention - Animal category Society of Animal Artists Patricia A. Bott Award for Creative Excellence 2011 Art Renewal Center Salon 2009-2010, 2010-2011, 2012-2013, 2014-2015 Finalist Society of Animal Artists Award of Excellence 2010 Art Renewal Center Salon 2009-2010, Second Place - Animal category American Artist Cover Competition Finalist, 2007 Fraser Gallery, Georgetown International Honorable Mention, 2003 Arts for the Parks Region III Award, 1992 Indiana Migratory Bird Stamp Design, 1985 Michigan United Conservation Clubs' Wildlife Artist of the Year, 1982,1987 SELECTED EXHIBITIONS 2017 William Baczek Fine Arts, Northampton, MA, Animal Kingdom William Baczek Fine Arts, Winter Lovetts Gallery, Tulsa, OK, Red 2016 William Baczek Fine Arts, 20th Anniversary Exhibition William Baczek Fine Arts, Summer William Baczek Fine Arts, Landscape Exhibition Monroe Community Church, Grand Rapids, MI, ArtPrize Ann Nathan Gallery, Chicago, IL, Group Exhibition Lovetts Gallery, Cauldron 2015 William Baczek Fine Arts, Landscape Exhibition William Baczek Fine Arts, Summer Part 1 JW Marriott, Grand Rapids, MI, ArtPrize Handwright Gallery, New Canaan, CT, Small Works Ann Brierly Gallery, Winnetka, IL, Ann Nathan Gallery Satellite Exhibition RJD Gallery, Sag Harbor, NY, A Magical Menagerie 2014 William Baczek Fine Arts, Spring William Baczek Fine Arts, Landscape Exhibition 2013 Canton Museum of Art, Canton, OH, Environmental Impact (Exhibition national tour locations include: The R.W. Norton Art Gallery, Shreveport, LA Kalamazoo Institute of Arts, Kalamazoo, MI Roger Tory Peterson...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...