Erik Andersen Seating

Danish Rosewood Armchairs by Johannes Andersen for Uldum Møbler, 1960s. Set of 6. Elegant and beautiful Scandinavian Mid-Century Modern armchairs designed by Johannes Andersen for U...

Looking for some fresh and crisp Danish elements in your house? A set of 4 newly upholstered teak chairs in petrol blue wool that forms a good ...

Erik Wørts - Rosewood and Cane Back Armchair Erik Worts achieved great commercial success in his design career largely through collaborations with IKEA in Sweden and FDB Mobler in D...

An incredible set of six dining chairs designed by Johannes Andersen. These feature solid teak frames, signature curved backs, and original upholstery.fabric seat could use updating.

Mid century modern 'boomerang' design dining chairs with new beige skai upholstery. Beautiful elegant design. 1950s - Italy Good overall condition, newly upholstered Dimensions H...

This exceptional set of Mid-Century Danish Modern dining chairs by renowned designer Erik Buch exemplifies timeless Scandinavian craftsmanship. Crafted in richly grained rosewood, ea...

Lovely set of 6 dining chairs, designed and fabricated in Italy in the 50's. The teak wooden structure is very elegant but solid. The chairs are just reupholstered with new won...

This lovely set of four vintage modern dining chairs feature angled back legs and high arm rests. Sleek design with a back rest that partially swivels to adjust to your back. Elegant...

Arne Vodder for Sibast Møbler, armchair, model '430,' teak and leather, Denmark, 1960s. This dining chair is designed by the Danish designer Arne Vodder. This modest and elegant ch...

Elegant set of six mid-century modern Danish dining chairs designed by Erik Buch, Model 49. Crafted in richly grained teak, these iconic chairs feature sculptural frames, gently curv...

Semi rare armchair designed by Axel Larsson for Swedish firm Svängsta Stilmöbler and produced in the 1950s. Seating element of stained and molded teak on a stained beech frame. This ...

There is a certain “Malmstenesque” charm to the Swedish designer’s pieces that manifests in the gentle but defined curves, cosy appearance and in the modern way Carl Malmsten skilfully carried the heritage of traditional allmoge (folk art) design. The expression “Swedish Modern” was first used at the 1939 New York World Fair, when the designer introduced the model “Oskar”. Similarly to that model, Malmsten remained a traditionalist, mainly concerned with comfort regarding the “Stora Furulid...