Etienne LeNoir Table Clocks and Desk Clocks

An 18th century English longcase clock with chinoiserie decoration on a black lacquer ground, featuring gilt figures, pagodas, and landscape motifs throughout the case. The arched ho...

The circular glazed white enamel dial with Roman and Arabic chapters, set within a pierced case with ribbon-tied fruiting laurel trails, each side with a ram’s mask capped pilaster, ...

This sumptuous red and gold clock was made during the Louis XV period of 18th century France, circa 1750. It is decorated in a beautiful red lacquer with roses and rose stems, attrib...

Mid 18th century walnut wood framed German 8-Day Grandfather clock. The tall case clock featured a dark walnut case with flared base, hood with half-columns and turned finials. Iron ...

An extremely rare Louis XVI mantel clock 'a cremaillere', a movement driven by its own weight, where the moving drum barrel is running down an inclined whi...

This is a lovely antique French Rococo revival ormolu, (gilt bronze) mantel clock with glass dome and giltwood base by the renowned clock ...

A charming and high quality French 18th century Louis XVI period ormolu, Gris St. Anne and white Carrara marble clock, signed 'Mailland, a Paris'. The clock is raised by six mottled ...

A stunning French 18th century Louis XVI period ormolu and silvered bronze clock, signed Pfeñinger, Zurich. The clock is centered by a striking f...

The clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint with floral sprays and garlands. The waisted case with pierced foliate bronze mounts and surmounted by a foliate finial with a bird. On scroll feet, the bracked conformingly mounted and decorated with a scene with dogs. A fine three week going movement, striking half and full hours on a silvered bronze bell. Festeau Le Jeune became master in 1769. Clock case and bracket are stamped by the ebenist ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752), as well as the stamp of the Parisian gilt ‘JME’. In French interior design, Vernis Martin is a type of lustrous lacquer substitute widely used in the 18th century to decorate a wide variety of items from furniture and coaches to such personal articles as fans and snuffboxes. The technique was named after the French brothers Guillaume and Etienne-Simon Martin, who perfected the process, but covers work by other craftsmen as well. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware...

Neoclassical 18th Century ormolu and marble lyre clock French, Louis XVI period Height 64m, width 27cm, depth 12cm This exquisite mantel clock was ...

A magnificent large scale French 18th century Coromandel and ormolu Grandfather Clock, by André Furet. This very unique and high quality clock is raised by rectangular base with a li...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...