Eugène Joseph Verboeckhoven Art
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Artist: Eugène Joseph Verboeckhoven
'The Little Donkey' by Eugène Joseph Verboeckhoven (1798 – 1881), dated 1856
By Eugène Joseph Verboeckhoven
Located in Knokke, BE
Eugène Joseph Verboeckhoven
Waasten 1798 – 1881 Schaarbeek
Belgian Painter
'The Little Donkey'
Signature: signed lower left and dated 'Eugene Verboeckhoven 1856'
Medium: oil on pan...
Category
Mid-19th Century Romantic Eugène Joseph Verboeckhoven Art
Materials
Wood Panel, Oil, Canvas
Family Portrait
By Eugène Joseph Verboeckhoven
Located in Missouri, MO
Eugene Joseph Verboeckhoven (Belgian, 1798-1881)
Family Portrait, 1871
Oil on Canvas
Signed and Dated Lower Right
29 x 44 inches
34.5 x 49.5 inches with frame
Verboeckhoven began dr...
Category
1870s Realist Eugène Joseph Verboeckhoven Art
Materials
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Livestock Landscape
By Eugène Joseph Verboeckhoven
Located in Fredericksburg, VA
Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...
Category
Mid-19th Century Hudson River School Eugène Joseph Verboeckhoven Art
Materials
Oil, Board
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Theme: Bullfighting
Date of Creation: Second half of the 20th century
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The painting Torero and Bull depicts a classic bullfighting scene, where a matador, elegantly dressed in a golden and violet traje de luces, performs a pass with the cape while the bull, wounded with banderillas, bows toward the ground. The composition conveys dynamism and tension, emphasizing the drama of the moment with loose and expressive brushstrokes.
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José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specializing in bullfighting themes. He trained at the School of Arts and Crafts in Barcelona, where he developed a strong foundation in drawing and painting. From 1947 onwards, he dedicated his artistic production to tauromaquia, creating posters, illustrations, and paintings that captured the intensity of the bullfighting spectacle.
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This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull.
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👤 About the Artist: José María Tuser Vázquez
José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences.
He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London.
His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida.
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