Eugène Lacoste Art

Interpretation 1: An utterly exhausted man collapses face-first into a diner's countertop. His face and the countertop become one. Seemingly oblivious to the acute nature of the man's condition, the night server gleefully offers him coffee instead of more appropriate help. Interpretation 2: The night server/psycho killer pours unsuspecting customer poisoned coffee and then taunts his lifeless body in a victorious tone. Like Charles Addams...

Of course it's possible that these baseball players aren't from a Philadelphia team, but I doubt it. There was so much drama and intrigue with both the Philadelphia Phillies...

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

African Mama - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a woman with a...

'Portrait of a Young Man in a Red Tie', gouache and ink on art paper, French School (1956). Step into the world of mid-20th century European art with a striking portrait that capture...

Indian Dancer - Vintage Illustration in Ink and Watercolor A stoic, dark-haired woman in elaborate dress is sitting cross-legged in this illustration by Irene Pattinson (American, 1909-1999). Pattinson uses fine ink line detail and a vibrant pink watercolor for a splash of color. Signed at the bottom, "Irene Pattinson." Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Presented in a new white mat with foam core backing. Mat size: 16"H x 12"W Paper size: 11.75"H x 8.5"W Image size: 7.5"H x 6.5"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance: The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art. Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works). Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

A 1920s caricature of author Lennox Robinson, by artist Isa M. Macnie. Inscription on drawing reads: "Author of “The White-Headed Boy” etc." Image size: 8 7/8" x 6 7/8". Archiva...

Chaim Goldberg (Polish-American, 1917-2004) Untitled, 20th century Ink and gouache on paper Sight: 11 1/4 x 14 in. Framed: 19 1/2 x 22 1/4 x 7/8 in. Signed lower left: Chaim Goldberg...

Mane-Katz (1894-1962) composes an ink and watercolor portrait of a Hasidic young lad. Signed upper right Mané-Katz, circa 1929. Mane-Katz was a Litvak painter born in Ukraine best known for his depictions of the Jewish shtetl in Eastern Europe. Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe. Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine...

Vibrant portrait entitled "King of the Blues" by John Martin Socha (American, 1913-1983). Bold and angular, this piece depicts an African-American man wearing a crown. Given the date of the piece (1955), it is likely a reference to B. B. King, who began topping the Billboard charts in 1953. The portrait is slightly abstracted, with ornamentation that adds detail and depth. Signed and dated "Socha 1955" in the lower left corner. Presented in a wood frame with a linen mat. Frame size: 17.5"H x 14.75"W Image size: 9.5"H x 6.5"W John Martin Socha (American, 1913-1983) was a painter and teacher from St. Paul, Minnesota. As a teenager, Socha studied with Diego Rivera and attended the Minneapolis School of Art. He later worked as a WPA artist in the 1930s, and Rivera’s influence can be seen in his murals. Socha then served in the US Army from 1943-1946 before attending the University of Minnesota in 1947. Socha’s work has won many awards and is in the National Gallery of Art in Washington DC. Exhibited: Minnesota State Fair, 1938-40 (prize), 1941 (prize), 1942; Minneapolis Women's Club, 1938-42 (prize); Minneapolis IA, 1938-41, 1942 (prize), 1943-46; AIC, 1941-42; MMA, 1941-42; WMAA, 1942; NGA, 1940, 1942; Guatemala City, 1940; Mexico City, 1942; Walker Art Center, 1938, 1940, 1949 (prize); Davenport Municipal Art Gal., 1941; St Paul Art Gal., 1938-42; Denver Art Mus.; Univ. Wisconsin; Fed. Courts Bldg (solo), Hamline Univ. (solo), St. Catherine's Col. (solo), Public Library (solo), St. Paul Park H.S (solo), all in St. Paul; Guy Mayer Gal., NY (solo); Mankato State College, 1957 (solo). Member: Minnesota AA; Minnesota Art...

"Isadora Duncan (Blue)" is an original mixed media drawing created by Abraham Walkowitz. It is made with pen & ink, graphite, and watercolor piece on cream paper. The artist signed t...

British-American painter and Female Illustrator artfully renders six different animals closely grouped on one page. They are seen as individuals, but silhouetted, not relating to one...