Eugenio Buono Furniture

Fabulous small Impressionist painting attributed to French painter, Louis George Eleonor Roy (1862-1907) either gouache or water color on ...

A beautifully painted portrait of a handsome young man from the Danish modern school dating from the late 19th century, in a carved gold frame from the same period. The painting is ...

Two Lacquer panels on wood Japanese inspiration soft colors , floral theme. Style Art Nouveau// Art Deco. French origine. Could fit perfectly above a pair of Art Deco or art Nouveau ...

New Year’s greeting ushering in the year 1967 mailed out by renowned Italian artist and educator Eugenio Carmi (1920-2016). Folds out to a serigraph measuring 39.25” x 26.75”. This e...

Important oil on panel by the great Dutch artist Philips Wouwerman (also Wouwermans) (1619 – 1668) a painter of hunting, landscape and battle scenes....

Original Italian film poster for the 1966 movie staring Clint Eastwood, Eli Wallach and Lee Van Cleef, directed by Sergio Leone. The Good, the Bad and th...

Original Italian film poster for the 1966 movie staring Clint Eastwood, Eli Wallach and Lee Van Cleef, directed by Sergio Leone. The Good, the Bad and the...

Original photographic production still for the 1966 Spaghetti western staring Clint Eastwood, Eli Wallach and Lee Van Cleef, and directed by Sergio Leone. Clint Eastwood's. This piece is framed in a Sapele wood frame with acid free card mounts and UV plexiglass. The size given is before framing. This piece would be shipped boxed...

Antique 19th century oil on canvas people painting attributed to Eugenio Lucas Villamamil, with acanthus and foliate gilt wood and gesso frame Dimensi...

Painting by Eugenio Amus, Marina, oil on canvas, 19th century. Oil painting on canvas by Eugene Amus (1834-1899) titled Marina. Signed in engraving on the painting at the bottom, wit...

Carmi

An important painting by one of the most representative Italian artists of the 19th century, Enrico Coleman. It depicts a village most probably from Lazio, perhaps a glimpse of Anticoli Corrado, the town famous for the attractiveness of its models, or rather Subiaco, his mother's birthplace. The atmosphere here is typical of the XXVs of the Roman Campagna of which Enrico Coleman was probably the most important exponent. The reason for this can also be seen in this small masterpiece that captures the washerwomen in their occupation immersed in a poetically bucolic atmosphere; a sky of unparalleled blue stands out in the background. Signed below on the right This painting, never before on the market, comes from an important Italian private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Oil painting on paper Enrico Coleman (21 or 25 June 1846 – 14 February 1911) was an Italian painter of British nationality. He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman. He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese. Enrico Coleman was born in Rome in June 1846. He was the fourth child of the English painter Charles Coleman, who had come to Rome in 1831 and settled there permanently in 1835, and of a famous artist's model from Subiaco, Fortunata Segadori (or Segatori), whom he had married in 1836. Coleman was initially taught by his father, did study at the Accademia di San Luca in Rome. Following the mocking reception of Una mandria di bufali nelle paludi pontine, a naturalistic painting of a herd of buffaloes in the Pontine marshes, at the International Artist's Club in 1872,he reportedly began to paint genre subjects in the manner of the then-fashionable Mariano Fortuny, although no works showing the influence of the Spanish painter are known. At the instigation of Nino Costa, he soon returned to the depiction of the people, animals and landscapes of the Campagna Romana and the Agro Pontino. Coleman was lover of orchids, which he painted, collected and cultivated. An 1894 watercolour of orchids is in the Galleria Comunale d'Arte Moderna e Contemporanea in Rome. Coleman had a remarkable collection of indigenous orchids, which he cultivated himself in his house at 6 via Valenziana and the botanist Fabrizio Cortesi named the hybrid Orchis x colemanii Cortesi in his honour. In 1875, Coleman was among the founding members of the Società degli Acquarellisti, the Roman society of watercolourists; he participated in the society's first exhibition in 1876, and continued to exhibit with them until 1907. In 1878 he was elected an honorary member of the Société Royale Belge des Aquarellistes, the Belgian royal society of watercolourists, with which he participated in the Salon de Paris in 1879 and to the 4th Esposizione Nazionale di Belle Arti, or national fine art show, of Turin in 1880, and to that of Milan in the following year; he showed works in London in 1882 and in Rome in 1883. In 1885, Coleman was among the founding members of the group In Arte Libertas, of which Nino Costa was the leading force and the other founding members were Vincenzo Cabianca...