F. W. Ayers Paintings

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Spring Collection: Pocket Bluebells is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to...

This painting is in excellent condition and has only been shown in a gallery setting. Torres Aleu was born in Cadiz, Spain and has been painting from a very young age. In 1952 his talent was recognized by family members and he began his formal training in art. During his education and training, he studied under the Spanish professor, Mr. Francisco Prieto, a Gold National Medal Landscape Artist. Aleu began painting professionally when he completed his school training in 1960. Since this time he has exhibited in galleries, including Galeries Des Verges, Switzerland, in 1991 and 1992, Galerie Castegliani, Roma, Italy, in 1993, Galerie Soria, Chateauroux, France, in 1995, and Galerie Hispaluz, Concepcion, Chile in 1996 and 1997. Awards received by Aleu include Premio Provincial De Cadiz, Cadiz, in 1957, Premio Nacional De San Fernando, Cadiz, in 1972 and Premio Caga De Ahorros De Jerez, Cadiz in 1973. The Public library in San Fernando, Cadiz and the County Council Office in Cadiz display Aleu’s work. Torres Aleu’s art is included in private collections throughout Japan, Saudi Arabia, Holland, and the United States. A list of collectors includes Prince Fahd Bin Salman Bi Abhulaziz Al Saud...

Daisies in a Jug, Early 20th Century Realist Floral Still-Life by Claude Buck 1929 Excellent oil on canvas still life entitled "Daisies and Jug" by Claude Buck (American, 1890-1974)...

Fernand Adriaenssens 1859 – Antwerp – 1944 Belgian Painter 'Still Life with Books' Signature: signed lower middle left 'F Adriaenssens', on revers signed and placed Antwerp 'F. Adriaenssens Anvers' Medium: oil on canvas Dimensions: Image size 50,5 x 75,5 cm, frame size 62,5 x 87,5 cm Biography: Adriaenssens Fernand...

Mia Bergeron's (US based) "Spring Floe" is an original, handmade oil painting that depicts yellow flowers gathered in a vase in front of a window revealing a picturesque landscape. ...

Acquired by the gallery directly from the artist

Original oil painting on canvas, still life painting made under natural light. This artwork is painted using high-quality fine linen canvas. Signed on the front and back of artwork. ...

Antonio Pérez Tarrasó (1946) - Fruit still life - Oil on canvas Canvas measures 65x81 cm. Frame measures 77x93 cm. It presents cracked areas as can be seen in the photos.

Bennett Oates, Fine Quality English late 20th century Still life of wild flowers in a vase. Oates was an English painter of flower subjects during the last half of the 20th centur...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studie...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...