Fabian Marcaccio Paintings

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

A unique, large scale/oversized, expressive artwork, from the Fragments of the Mind series. This series examines the delicate balance of the mind and the intricacies of our thoughts...

Untitled 01, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repu...

Title: Garden of Earthly Delights Artist: TheDirtyFabulous Media: Oil on metal with polyurethane varnish Size: 60 x 40 inches / 153 x 102cm Year created: 2012-2014 Societies have long employed images that visualize their belief systems or attempt to encapsulate a narrative of our human destiny. This work follows in that tradition. The uppermost vignette is a silhouette from the nursery rhyme “Jack be nimble”, a children’s rhyme that refers to a 19th century game and a form of fortune telling. In Roman mythology Parcae (plural) were the personifications of fate. They are used in this painting as bookend figures on either side of a cosmic machine that answers questions of fate. Three vintage light bulbs labeled “yes”, “maybe” and “no” sit atop the clock – like machine and illuminate answers to humanity’s eternal questions. At the top of the composition are several re- configured tarot / divination cards belonging to an anonymous person circa 1930’s. The cards here are labeled; satisfaction dark woman, jealousy, dark man and betrayal. The grouping of these four cards refers to both positive and negative potentials concerning fate and offer clues to the viewer on a number of possible scenarios it could describe. The lower portion of the picture contains two silhouetted vignettes on either side of a central image of stars and planets against a dark void. The left image is of two children in a small wagon being pulled by a beetle. This is a reference to Egyptian mythology and the sun god Khepri. who personifies birth / rebirth. Khepri is portrayed as a beetle that pushes the sun across the sky. Here the young innocents...

This piece depicts a colorful collage composition portrait of Audrey Hepburn, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 36 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Untitled 04, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repul...

Untitled 06 [Dissecting the Unknown 06], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in. 25 H x 20 W cm Zsolt B...

Untitled 10 [Dissecting the Unknown 10], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Be...

083r (short_squeeze_aside), 2016 is an acrylic and urethane on etched acrylic panel painting, 48 x 31.5," and signed 'Darren Goins 2016' verso....

Untitled 03, 2015 - 2016 Mixed technique: black silicone, oil paint, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of ...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

Untitled 11 [Dissecting the Unknown 11], 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Be...