Ferdinand Berthoud Table Clocks and Desk Clocks

A fabulous and quite important 18th century Louis XVI period Carrara marble and dore bronze mantle clock, signed F. Berthoud, Paris. The body of the clock is exceptionally cast and f...

A very good quality Louis XVI Style Gilt Bronze Mantel Clock. French gilt bronze clock with enamel face, fruit and lion motif, on plinth. H 22.3 cm (8.8 in.), All clocks sold as is w...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

A Tiffany & Co. gilt bronze and rouge marble mantel clock with figures of night and day Maker: Tiffany & Co. (American, 1837-) Date: Circa 1890...

The oval base raised on toupie feet, centered with a panel of hunting dogs with hunting trophies on each side, the case supported by a landscaped scenery of water and rocks and surmo...

A very fine French Directoire style gilt bronze and marble (Rosso Levanto) Mantel Clock. 19th Century. movement stamped 1075. Measures: height 16 1/2" x width 18" x depth 5 1/2" C...

An exquisite figural bronze mantel clock with Putti leaning on clock face which sits on a fluted column draped in garlands and fabrics. Sitting on a r...

Rococo style gilt bronze and marble mantel clock French, c. 1870 Height 44cm, width 20cm, depth 15cm This Rococo style gilt bronze and olive-green mantel clock...

French Neoclassical style malachite and gilt bronze mantel clock French, late 19th Century Measures: height 42cm, width 22cm, depth 11cm This fine clock...

Charles X gilt bronze mantel clock, French, circa 1825.

With pointed architectural pediment over an enamel clock face with signature of Mesnil of Paris. With black marble frieze and white marble columns with b...

This French mantel clock is designed in an elegant Neoclassical style, after the decorative arts of the Louis XVI period (1754-1793). This clock will look beautiful placed on a mante...