Formanova Serveware, Ceramics, Silver and Glass

Ashtray from the set of art glass "NIAGARA" made of beautifully colored densely shaped glass, amber glass in combination with green oceanite. The glass ashtray of organic shapes has ...

"8532" Ashtray by Angelo Mangiarotti Knoll, 1967 Grey marble Perfect condiction Literature: François Burkhardt, Angelo Mangiarotti Opera completa, Motta Ed., 2010, p. 296 T...

Large mid-century Murano glass ashtray, 1960s Italian design Intact and in good condition. Small scratches on the bottom.

Add a luxurious touch to your home bar with this lovely bottle opener. The perfect gift for someone special in your life and for any vintage Hermès aficionado. In honey-colored brass...

A very lovely silver-plated Sabattini coffee thermos with cap. In good working order and stamped Sabattini on the base. The thermos comes with a jar with thick glass lid perfect for ...

This is a 1970s Mid-Century Modern Italian ice bucket crafted from gilded metal. The bucket features a sleek cylindrical form with a polished gold-tone finish, reflecting the era's l...

Purple Agate Mortar and Pestle, France 1970s Elegant octagonal agate mortar and pestle with a smooth surface. Likely used (originally) for crafting perfumes, or in chemistry blends...

1960s Modern Italian Colorful Ashtray attributed Alvino Bagni for Raymor Stamped Italy 1.5 h x 7.75 x 7.75 Unrestored original vintage preowned condition Ashtray has a crack. Review ...

A monumental mid century modern ceramic ashtray by Aldo Londi for Bitossi, Italy circa 1960s. Tones of pewter, turquoise, lavender, ...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

Murano glass ashtray, Italy, 1960s Found in a noble apartment. It is intact and in good condition. You can observe small air bubbles inside the glass. This certifies the authenticity...

Vintage clamshell ashtray, Made in Italy, 1960s.  Beautiful vintage brass ashtray in the shape of a shell. It was produced in Italy in the 1960s. A classy item, it fits in any setti...