France-Lise McGurn Art

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Renowned contemporary conceptual African American artist Glenn Ligon Black Rage (back cover), 2019 Silkscreen and digital print Edition number 53/100 Accompanied by an official Certi...

Overall 21 X 27 image is 17.25 X 23.5 This is a mixed media print on canvas by beloved comedian and artist Jonathan Winters. This one depicts old biplane airplanes and parachutes ...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Graphic Work, Walter G. Knestrick. Harry Abrams Inc Publishers, New York, 2001. Cat. no 138 page 172, Alexander & Cowles 138). Downtown Manhattan, New York City Chinatown Street scene with various vendors. Hand signed in black crayon and numbered on image at bottom edge. "8/115 Red Grooms." Dimensions 22" x 30" Printer: Sharks Lithographs Ltd, Boulder, CO Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès's 1902 film A Trip to the Moon...

Ray Smith (United States, 1959) 'La Espera', 2020 Silkscreen on paper. Edition of 50 11.7 x 17.8 in. (29.5 x 45 cm.) Ref: SMI-101 Ray Smith (American, b.1959) Born in Brownsville, T...

Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Richard Meier Iglio, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meie...

Fritz Scholder (United States, 1937-2005) 'Mask of a mystery woman', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-002-000 Unframed

Richard Meier Kahir, 2011 Silkscreen Collage (mix media), sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meier, (b.1934) most know...

Donald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...