Frank Hyder Paintings

Tatiana Flis’ “Ripple Idly” is an 8 x 10 inch graphite and gouache drawing on thick rag paper with a deckled edge. Rich blues and indigos shine with white and shimmering silver stars...

Beautiful ca.1930 double-sided abstract painting by American artist, James Floyd Clymer (1893-1982). On the Docks, Sunset. Watercolor and pencil on paper measures 15 x 20.5 inches. S...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov’s artwork begins spontaneously and gives expression to personal creativity and insight. Each piece is unique in design. SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. - Gallery wrapped in sustainable FSC certified wood. - Wire Installed. The edges are painted so there is no need for additional framing. The artwork is ready for display. Artist Irena Orlov. Signed. Certificate for authenticity. About an Artist: Irena Orlov is a Los Angeles-based contemporary multidisciplinary visual artist whose work uses a combination of both traditional and new media. In a blending of traditional and new media, Irena Orlov developed special techniques which continue to give her art a unique look and aesthetic. While the majority of her works are done with mixed media, she also creates with acrylic, oil, pastel, watercolors and pencil. Much of her art has been implemented in renowned hotels, wellness and corporate settings across the world. Exhibitions and Collections: 2021 Resorts World Las Vegas 2021 Robert Kidd Gallery, Birmingham, MI 2020-2021 ACA ART Comes Alive 2020, Cincinnati 2020-2021 Artsy “Digital Winter Exhibition 2020 – 2021”, Art Screen TV 2020 GALLERIA IL COLLEZIONISTA - ROMA, CHRISTMAS ART EDITION 2020 Robert Kidd Gallery, Birmingham, MI 2020 Shibuya Station Exhibition Tokyo III, 2020 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase, Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Salal Credit Union, Cafe, Washington 2019 Parcus Gallery, Berlin, Germany 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov’s artwork begins spontaneously and gives expression to personal creativity and insight. Each piece is unique in design. SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. - Gallery wrapped in sustainable FSC certified wood. - Wire Installed. The edges are painted so there is no need for additional framing. The artwork is ready for display. Artist Irena Orlov. Signed. Certificate for authenticity. About an Artist: Irena Orlov is a Los Angeles-based contemporary multidisciplinary visual artist whose work uses a combination of both traditional and new media. In a blending of traditional and new media, Irena Orlov developed special techniques which continue to give her art a unique look and aesthetic. While the majority of her works are done with mixed media, she also creates with acrylic, oil, pastel, watercolors and pencil. Much of her art has been implemented in renowned hotels, wellness and corporate settings across the world. Exhibitions and Collections: 2021 Resorts World Las Vegas 2021 Robert Kidd Gallery, Birmingham, MI 2020-2021 ACA ART Comes Alive 2020, Cincinnati 2020-2021 Artsy “Digital Winter Exhibition 2020 – 2021”, Art Screen TV 2020 GALLERIA IL COLLEZIONISTA - ROMA, CHRISTMAS ART EDITION 2020 Robert Kidd Gallery, Birmingham, MI 2020 Shibuya Station Exhibition Tokyo III, 2020 2019 Art Comes Alive, ACA 2019, Cincinnati, Ohio 2019 Blink Art Artist Showcase, Cincinnati, Ohio 2019 WhyNotArt, Pasadena, CA 2019 Salal Credit Union, Cafe, Washington 2019 Parcus Gallery, Berlin, Germany 2019 Voyager, Royal Caribbean Cruise Line, Artworks installed: Spa, Staterooms, Suites, Lounge 2019 Apartment Building, Stairwell, Wilson Mountain view CALIFORNIA 2019 Oasis, Royal Caribbean Cruise Line, Artworks installed : Bed Spa Staterooms 2019 Leasing Office, Lake Meadow, Chicago Illinois 2019 Freedom Spa Staterooms, Royal Caribbean Cruise Line, Miami 2019 Freedom of the Seas Royal Caribbean Cruise Line 2019 Parallax Art Fair Kensington, London, UK 2019 4th Annual Jockeys & Juleps Derby Party Fine Art Auction, Southern Reins 2019 Parallax Art Fair Chelsea, London, UK 2018 Red Dot Miami, R.E and Perseus Gallery, Spectrum Miami 2018 2018 Parcus Gallery, Berlin, Germany 2018 21st Beijing Art Expo, China 2018 Museum MIIT, Modern and Contemporary Art, Turin, Italy 2018 The Vatican's Chancellery Palace, Italy, 1st International Itinerary Art Biennale 2018 "Between Dream and Reality” 2018 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2018 Artexpo New York 2018 2018 Royal Caribbean Cruise Line 2018 Renaissance Asheville Hotel 2018 Renaissance Newport Beach Hotel, Reception 2018 UC Davis, Student Housing, California 2018 LA Mart, TEMPS on 2, Los Angeles 2018 European Intercultural Activity, The Museum of Art and Science, Milan 2017 The Art Festival at The Papal Palace of Castel Gandolfo (di Castel Gandolfo -Musei Vaticani) 2017 The International Exhibition at the Art Italian Institute, Prague 2017 Marriott SFO, San Francisco, CA 2017 Stars of Art 2017, Galleria Sant'Andrea, Parma, Italy 2017 Stars of Art 2017, Galleria Farini Concept, Bologna, Italy 2017 Los Angeles Center for Digital Art, Member Artist Exhibit, Los Angeles, California 2016 Ritz-Carlton Osaka, Tokyo, Corporate Collection 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 “Contemporaries at Uffizi”, Florence: Palazzo Ximenes Panciatichi. Italy 2016 Arttour International. Spectrum Miami 2016 2016 Biennale "Palma d'Oro per l’Arte 2016" Monte Carlo 2016 Galleria Borghese, "Historical Prize for Contemporary Artists", Rome, Italy 2016 "Electron Salon", Los Angeles Center For Digital Art, Los Angeles 2016 Dwell on Design, Los Angeles Convention Center 2016 Tokyo International Art Fair 2016 Saatchi Art, Girlcrest Event/ Lloydcrest Estate, Beverly Hills 2016 "Woman's Art World" Museum of Marrakech, Casablanca, Morocco 2015 Awarded the International Art Award David of Bernini, Grand Gala, Italy Monumental Theatre “G.Paisiello” by International Education of Art and Human Rights Italia in Arte nel Mondo 2015 Awarded the Special Prize for Human Rights, Anne Frank Italy Monumental Theatre “G. Paisiello” by International Education of Art and Human Rights Italia in Artenel Mondo 2015 Hotel Monaco, Washington DC 2015 " Snap To Grid" Los Angeles Center for Digital Art 2015 Stanford University, Student Housing, Stanford, California 2015 1st International Noto Award - Unesco Heritage, "Convitto Ragusa" Museum - Noto, Sicily 2015 Premio Oscar dell...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Hideyuki Sobue is a visual artist from Japan, and a graduate of the Osaka University of Arts. He is based in the Lake District, UK, and specializes in drawing and painting—two artist...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

"Drunken Oak" is an original abstract watercolor painting layered over an original archival pigment print of an oak tree using alternative process photography on 100% rag paper. Imag...

Love Between Horses Couple Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand pain...