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Fritz Horstman More Art

American

Fritz Horstman was struck by the poetry in the unfinished state of the construction site, while working on a large building project, several years ago. He was drawn specifically to the space between the plywood walls that were raised as formworks, for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but at that moment, it was a revolving abstraction of potential, delineation, growth and destruction. Once filled, it was gone. The plywood was stripped away and the earth was backfilled. To suspend that moment, he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Fritz Horstman works with the landscape and the perception of natural phenomena. He has recently exhibited his sculptures and installations in Brooklyn, Massachusetts, California, Japan, France and Norway and currently is featured in the “2016/17 deCordova Biennial," in Lincoln, Massachusetts. He has curated exhibitions in New Haven, New York and Svalbard. Recent residencies include Shiro Oni in Onishi, Japan and The Arctic Circle Residency. He received his MFA degree from MICA, in 2011 and his BA degree in studio art from Kenyon College, in 2001. He is an artist residency and education coordinator at the Josef and Anni Albers Foundation, in Bethany, Connecticut. Musically, he is half of the duo, Spacelover.

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Artist: Fritz Horstman
Fritz Horstman, Ice Voices, 2016, Video
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...
Category

2010s New Media Fritz Horstman More Art

Materials

Video

Fritz Horstman, Kannagawa Voices, 2015, Video
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Conceptual Fritz Horstman More Art

Materials

Video

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