Gabriel Godard Art

Anita Roy Chowdhury - Untitled Oil on Canvas 35 x 24 inches, 2009 ( Framed & Delivered ) This untitled oil on canvas by Anita Roy Chowdhury (2009) unfolds as a lyrical meditation on...

Signed oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts beachgoers in Deauville, France taking the last of the sun as it disappears beyond the horizon. The pale yellow light reflects on the sea, illuminating the water. Two horse riders gallop across the sand. The piece is painted in beautiful shades. Signature: Signed lower right and further signed and titled verso Dimensions: Framed: 27"x36" Unframed: 20"x29" Provenance: Private Collection - France Emilio Grau Sala studied at the fine arts school in Barcelona, where he became friends with Antoni Clavé. While still very young he began exhibiting at the Humourists Exhibition. In Paris he exhibited at the major annual Salons. He also exhibited at many international group exhibitions and in 1937 received an important award at the Carnegie Foundation International Exhibition in Pittsburgh. He showed collections of his work in many solo exhibitions starting in Barcelona in 1929 and 1930. His first solo exhibition in Paris was in 1937 and he went on to exhibit in Madrid, London, Buenos Aires and New York. After three trips to Paris he finally settled there in 1936. In Paris he was influenced by the paintings of Marcel Gromaire and especially Julius Pascin. He created theatrical sets and costumes for several plays including The Woman of Easy Virtue ( La Demoiselle de Petite Vertu) by Marcel Achard. He also illustrated many literary works including Madame Bovary by Flaubert, Bel-Ami by Maupassant, Colette's series of four Claudine novels, Marcel Proust's In Search of Lost Time ( À la Recherche du Temps Perdu), and works by poets including Baudelaire's Les Fleurs du Mal...

Paris Street in the Snow with Figures - Vintage Oil Painting by Italian Artist, Pietro Griffo (1934 - 1995). Original - Signed Art measures 30 x 24 inches Fram measures 34 x 28 inch...

Signed limited edition giclee on canvas entitled "Paradise" by Michael Godard, circa early 2000s. This large print is hand-signed and numbered (292/300)...

➡️ Landscape river scene ⬅️ ⏩It is signed Mindermann⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐54x65cm / 21.3x25.6 inch ⭐Date: 193...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Working in the Fields by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 21 x 26 inches very good condition provenance: from the a...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Le Pont Neuf - Paris. Oil on canvas by Spanish artist Joan Raset. Dimension with frame 84 cm H x 104 cm W x 4 cm D Dimension without frame 73 cm H x 92 cm W x 2 cm D Beautiful Pa...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

MYTHOLOGICAL SCENE Italian oil on canvas painting cm.100x100, Alfonso Pragliola Italia 2010 In this oil on canvas, the painter makes his own personal and modern interpretation of Ant...