Gage Opdenbrouw More Art

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

"Pony and Groom" is an unframed, oil on wood panel, contemporary impressionist painting. Painted during the 2014 Wellington Winter Equestrian Festival. Center stage, stands a fit, br...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

View of a Venetian Harbor oil painting on wood panel 2Oth C Additional information about the work: Title: View of a Venetian Harbor Medium: oil on wooden panel Signature: not sign...

Dalessio makes the sea sparkle in this plein air depiction of the coast of Portugal. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Marc Dalessio was born in 1972 in Los Angele...

A fine 19th century Italian School oil painting on wood panel of an Italian landscape with figures dancing around a pool with a mountain backgro...

An oil painting by Rachel Personett (b. 1991, Hawaii) of pure, white spring tulips with long green stems, blossoming upward atop a blue backdrop. Signed "Personett" lower right, rect...

"Head in the clouds" depicts skyscrapers and a waterway. This scene is of no particular place, but rather his interpretation and compilation of var...

Blue and white abstract contemporary concentric ombre oval shaped painting by Houston, TX artist David Hardaker. The work features three dimensions bends that stand away from the wal...

Pink and white abstract contemporary concentric ombre shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

A fine American School naive folk art portrait of a man in a black tuxedo, oil on panel, monogrammed lower right AS, signed illegibly on verso “Alexande...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...