Ganci Argenterie Mirrors

Carrying old silver plate marks Elkington & Co. in 1845, this attractive, Victorian, Antique Silver Plated Mirror Plateau, features an orna...

English Sheffield silver-plated footed mirror plateau.

Add style to your dining table with these vintage Italian salt shaker and matching pepper grinder are silver plate with wood liners to prevent corrosion. ...

A superb vintage silverplate round mirrored table plateau or footed tray with an ornate floral roses border and charming ball feet, circa 1950. No maker's mark. It would look gorgeou...

Six Mauro Manetti silver plate animal heads stirrup, goblets, cups, made in Italy. We have the Hunting collection of a German shepherd, Labrador, deer, rabbit, donkey, boar. All ma...

Made circa 1880, this attractive, Victorian, Antique Silver Plate Mirror Plateau, featured an egg and dart border to the base and rim, and stands on 3 cast feet. The mirror plateau m...

Silver plated ice bucket by Cassetti, made in Italy, 1980. Handmade. Small signs of the time. Cassetti silverware was born in the 60s in Florence. He boasts collaborations with prest...

Circa 1920s-30s Art Deco Lady's Silver Plate Compact on Wrist Chain. Inset with black oval plaque hand painted with a rose. Crackling effect in the black panel. Puff, mirror & powder...

Unique antique Sheffield silver plated plateau - resting on four english regency inspired feet, pierced edge and mirrored top. Unmarked.

Silver plated bowl with irregular contour, Italian design made in Italy.

Amazing mid-century silver plate serving plate. Gio Ponti designed and signed this astonishing item for Cleto Munari in Italy during the 1980s. The flat and efficient design on two round levels, make this piece simply irresistible and iconic for midcentury lovers. This piece will smarten a midcentury living room or minimal and chromed bar. This wonderful piece is in very good condition. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...

This elegant model of ice bucket is realized in silver plated metal. The contemporary Italian design add a plus at this piece. A pair of rings is a decorative detail useful as handle...