Gary Wolfe Figurative Paintings

Series: Beehives Beehives, Encaustic Beeswax, Fabric, Beehives Size: 18" x 46"/ 46" x 18" Using unconventional hardware - a blow torch, iron and other heated tools - along with pa...

Martin Adalian "The Tale" Acrylic, Oil on Canvas 60 x 98 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He started painting when he was three years o...

Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.

Series: Woven Woods Encaustic and Oil Shellac With Silver Floater Frame Size: 30" x 40" Using unconventional hardware - a blow torch, iron and other heated tools - along with pape...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

Series: Plunge Triptych Oil and encaustic Size: 80" x 108" (36" x 80" each panel) Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, enc...

Martin Adalian "Afternoon" Acrylic, Oil on Canvas 43 x 61 in. ___________________ Martiros Adalian was born in 1972 in Yerevan Armenia. He started painting when he was three years ...

Carrie Goller's (US based) "Quiet Kingdom (Floriferous Dire Wolf)" (2025) is an original, handmade mixed media painting made with oil and encaustic paint. This piece measures 15.75 x...

Series: Layered Desert Oil and encaustic Size: 36" x 36" with silver floater frame Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, en...

Series: Santa Fe Day 1/1 Oil And Encaustic With Silver Floater Frame Size: 36" x 47" (91.44 x 119.38 cm) with silver floater frame Using unconventional hardware - a blow torch, i...

Experimenting with burlap and plaster on wood with beads was a catalyst inviting in the liminal space between worlds, governed by the Medial Woman. The flavor for the three pieces in...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...