Gawaine Dart More Art

Mary Caroline Richards Tea Cup, circa 1970s Glazed earthenware 2 1/2 x 2 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...

Suzuki Goro - Nude Woman Sake Cup stoneware, underglaze and glaze 1.75 x 2 x 2” date unknown signed comes with a signed wooden box BIO- Revered Japanese ...

Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Bio: Ceramicist Lauren Nauman graduated from the Royal College of Art with a Masters in Ceramics & Glass. The traditional technique of slip casting is c...

This piece is unique in a series of only seven made. Wall-hanging sculpture, Torino, Italy, ca. 1965; Copper-washed ironwork and welded spill castings, metallic enameled copper; sign...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Impressed with artist’s seal Porcelain, radiating inlaid lines, manganese bands to rim and foot, with kiln splits 5 x 11 1/2 inches