Genevieve Naylor Photography

Couple Sharing a Chair at Party - Romantic Couple Silver Gelatin Photograph An amorous couple embraces intensely at a party, almost catching the attention of nearby partygoers... Th...

Cannes, France, 1975 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availab...

Jardin du Luxembourg (Premiere neige Luxembourg), 1955 Signed in ink on recto; signed, titled & dated in pencil on verso Gelatin silver print Image 10" x 15", Paper 12" x 16", Ma...

Ansel Adams and Ed Towler by Wilson D. Ellis (American, 20th Century). Titled "Ansel and Ed Towler 1936" on verso and signed "Wilson D Ellis" with date 7/16/35 under mat. Silver Brom...

Rondal Partridge Silver Gelatin Estate Print Embossed Imogen Cunningham signature on mat, labeled on verso. Dry mounted outer dimensions 16x20"

Ellen VON UNWERTH (*1954, Germany) Dance, Dance, Dance, Claudia Schiffer for Guess, Viareggio, Italy Silver gelatin print on Baryta paper, later print 150 x 220 cm (59 x 86 5/8 in.) ...

Rondal Partridge Silver Gelatin Estate Print Embossed Imogen Cunningham signature on mat, labeled on verso. Dry mounted outer dimensions 16x20"

Boys and Crib one of a series of photographs done during the 1990-1996 period photographing teenage mothers in Texas. Acid free mat and new plexiglass. Image, 14"W x 17.5"L. Black wood frame.Jocelyn Lee was born in Naples Italy, and received her BA in philosophy and visual arts from Yale University, and her MFA in photography from Hunter College. In 2001 she received a Guggenheim Fellowship. In 1996 her work, The Youngest Parents, was published by DoubleTake Books and The Center for Documentary Studies at Duke University in collaboration with Robert Coles and John Moses. She has exhibited nationally, most recently in an exhibition entitled “Feature Photography” at The National Portrait Gallery, Smithsonian Institution in Washington, DC, 2008; The Pace MacGill Gallery in NY, 2007 (Solo)/2005; The DeCordova Museum in Waltham, Mass 2007; The Center for Maine Contemporary Art 2007 (Solo); The University of Maine Museum of Art, 2006 (Solo); Stone Hill...

No Edition Blind stamp on print margin. Signed by Estate, titled, dated and copyright date in pencil on artist stamp. Paper size: 16 x 20 in. Ruth Orkin (1921 - 1985) was an America...

Wonderful black & white photograph of Cretian Chapel by William Giles (American, 20th Century). New acid free conservation over-mat. Unframed. Unsigned. Image size, 8"H x 10"L. William Giles studied and worked with many wonderful photographers including Minor White, Ansel Adams, Dorothea Lang, Beaumont Newhall, Nathan Lyons...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Le Pont de Brooklyn (Brooklyn Bridge) New York 1982 / Printed Later Gelatin Silver print Signed in ink on recto. Signed, titled and dated in pencil on verso.