George Platt Lynes Wall Decorations

An unusual photograph, circa 1910-1920 where the letters Lake George are made of cutout photographs. Original frame-really a unique object with character and timeless character. Lak...

A vintage photograph from Cambodia framed in a palm wood & glass frame. Dimensions: Height 38cm x Width 27cm x Depth 0.05cm.     

Vintage, Alpine Ski photograph. 'LIEBE IM SCHNEE', a new mounted black and white photographic image after an original 1930s skiing photograph. Black and white alpine photos are the perfect addition to any home or ski lodge. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. 'Liebe im schnee oder: Wie man's macht' or 'Love in the snow or: How to do it'. The price displayed is for the mounted photo only. Image size 25.5cm x 40cm = 10 X 15 ½" ". The alpine photograph...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is stretched and framed in a black wood free ...

This is an original vintage photograph from Robert Kent Sharpe's (1930-2016) personal collection. This is a series of Mr. Sharpe's human observation and the interplay of art and peop...

Set of three framed 1960s Vogue Magazine covers. Left to right: September 1964 cover features model Wilhelmina photographed by David Bailey. N...

This 1987 photogravure by Bruce Weber is a portrait of a golden retriever in profile—mouth open, tongue loose, gaze lifted with unwavering devotion toward someone just outside the fr...

A pair of original B&W photographs being offered for sale for the first time. Taken by fashion designer/photographer George Machado from his book “Masculine” by Crown Publishers, NYC,1997. This diptych was printed in two sizes and selected in the final edit of he book. Hand printed the old fashion way. These photographs were printed in 1996 from the original negatives. 5 x 7 photos...

"The Divers", by famed photographer George Hoyningen-Huene, c. 1930, printed later. Unsigned. Seemingly shot on the French Riviera, the grand make-believe and glamour of this famous ...

Vogue March 1963 framed original cover. Featuring cover model Burke Amey and a Cartwheel Hat by Halston by Irving Penn. newly framed in blue glossy wood frame.

GIANNI Versace. Beautiful and rare Poster of the Metropolitan Museum of Art December 1997-March 1998 of the exhibition on Gianni Versace. The poster depicts a photograph by Irving Penn. Penn's photograph depicts the famous 1987 theatre costume in black quilted satin and white satin with black and white applications. from the TEATRO collection. Approximate size 89 x 63.5 cm. pay. Thank you for your cooperation! The poster is an interesting black and white look on one of Versace's most extravagant evening dresses. This item would be the perfect addition to any Gianni Versace or MMA collection. Versace's catwalk collections...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...